Books by Sarah J. Maas and Rebecca Yarros, among the bestselling books of 2024 so far, sparked a huge increase in the adult fantasy category and helped keep print sales roughly flat with the first half of 2023
Links of the week July 8 2024 (28)
Our new feature links to interesting blogs or articles posted online, which will help keep you up to date with what's going on in the book world:
15 July 2024
Spurred by huge gains in the adult fantasy genre, unit sales of print books rose 1.1% in the second quarter of 2024 over the comparable period in 2023 at outlets that report to Circana BookScan. The second quarter increase was nearly enough to offset the 1.7% decline in the first quarter, putting unit sales down only 0.4% in the first half of the year. The slow improvement in print unit sales to date this year offers the industry at least some hope that a two-year slide in sales might come to an end this year.
Chatto & Windus' poetry editor Sarah Howe has revealed her aims for the list's future with The Bookseller, including reaching new readers through 'non traditional routes'.
Howe, an academic and a T S Eliot Prize-winning poet herself, will publish Danez Smith, Romalyn Ante, Ruth Padel and Leo Boix and welcome new voices to the list such as Mona Arshi and Karen Downs-Barton's debut.
Chatto & Windus will publish up to five collections a year, with at least one of these reserved for a new or debut poet.
The Bookseller - News - Managing authors' expectations is key during publication, M&P audience hears
Managing an author's expectations early on in a marketing and publicity campaign and being upfront with the plan for their book is key to building trust between a publicist and a writer, according to Canongate's communications director Anna Frame.
Speaking about the events landscape at The Bookseller's Marketing & Publicity Conference, Frame said that this was especially important in a "social media world", where the events of other authors were amplified online.
The panel explored the "challenges and potential" in events today, and included perspectives covering different aspects of the industry.
For Arielle, discovering romance novels was like uncovering a new world.
At 15, she belongs to a new generation of romance readers who have fallen in love with the genre after finding it online.
Instead of browsing her parents' bookshelf or wandering down bookstore aisles, Arielle's introduction to romance was a little more contemporary - a book recommendation on YouTube.
"I had never read a romance book before," she said.
"Up until two years ago, I was not a reader at all."
It's hard to picture now, given Arielle's floor-to-ceiling bookshelf ... exclusively stocked with romance novels.
Lots of books qualify as comfort reads - but what makes cozy distinctive is that it offers sanctuary.
Pour yourself a cup of tea or a mug of hot chocolate, cuddle up with your (winged) cat, and come sit by the fire... Hello and welcome! Let's talk cozy fantasy, a subgenre rising in popularity.
Cozy fantasy didn't spring out of Zeus's head, fully armored and sipping tea. There are plenty of older novels that, if they came out today, would be called cozy fantasy (to name just two: Howl's Moving Castle by Diana Wynne Jones and Dealing With Dragons by Patricia C. Wrede). But cozy fantasy blossomed into a distinct and popular subgenre with its own label in 2020.
Yeah.
That year.
Born in a time of pain and fear and loneliness and discontent and boredom and ever-present existential dread, it rose to fill a need. We (okay, not everyone, but me and a whole lot of other readers) needed to escape. And not just escape-we needed to escape someplace that felt warm and gentle and safe.
Three famous readers hold immense influence over the publishing industry. Their recommendations can make or break a book-but how do they make their selections, and is their influence waning? Insiders take Esquire behind the scenes.
In an industry that sees five hundred thousand to a million new titles published each year in the United States alone, there are very few ways to make a book stand out. In recent years, programmatic celebrity book clubs-mainly Oprah's Book Club (Oprah Winfrey), Reese's Book Club (Reese Witherspoon via her media empire, Hello Sunshine), and Read With Jenna (Jenna Bush Hager via the Today show)-have exercised significant influence over which books garner buzz both among readers and within publishing companies, elevating sleepy debut novels to best-seller status and making big books even bigger.
First, a disclaimer to any self-important readers expecting a fiery takedown of the celebrity-book-club format: As someone who wants to see more books in the hands of readers, I am wholeheartedly in support of famous people using their immense clout and privilege to promote books instead of the many other products they could be paid handsomely to endorse. An article built on cynicism for something so overwhelmingly positive would be disingenuous click-bait, and you will not find that here.
Cassidy Grady's Sunday reading series ‘Confessions' seeks fresh avenues for creative expression in wake of pandemic
Reading nights and avant-garde literary groups are rapidly emerging as platforms for younger generations to foster community and creatively share personal narratives - and one new series is making waves in New York.
Literary events are on the rise across the US, with CNN citing that book club listings have grown 24% in 2023 from the previous year.
And it seems that the younger generations are leading the charge in cities such as New York, seeking fresh avenues for their creative expression in the wake of a pandemic that started a loneliness and isolation epidemic.
He has written hit films like 24 Hour Party People and cooked up the Queen's Olympic skydive. But now, having been crowned Children's Laureate, he's on a mission to show kids that books will change their lives
Frank Cottrell-Boyce doesn't believe in pessimism. Even being announced as the UK's brand-new children's laureate in the week when all eyes are focused on Westminster and the polling booths makes him hopeful that people will turn to a cheerier story in search of relief, meaning he can leap into the classic "and finally" spot on news bulletins. "I'm happy to be that skateboarding duck," he grins as he chats over Zoom from his home on Merseyside.
But to be chipper is not merely a function of his temperament, as his speech at the acceptance of the title made clear. Quoting William Beveridge, whose groundbreaking report laid the foundations for the modern welfare state, Cottrell-Boyce insisted that "scratch a pessimist and you'll find a defender of privilege"; and it's his intention, during his two-year tenure, to demonstrate that making children's lives better by increasing their access to books, reading and what he calls "the apparatus of happiness" is critical to the prospects of the generations to come - and that the cost of ignoring that is unthinkable.
Trevor Dolby on a glorious, inspiring week in Wiltshire
Sunday 23 June
I'm driving past Stonehenge. The sun is shining, the roads are clear. Johnnie Walker is on the radio - the soundtrack of my life for just a few months longer. Adieu my radio friend. What fun it's been.I am off to Chalke History Festival. I'm a trustee of the charity, which is supported by its income. An organisation that promotes the understanding and enjoyment of history. An immeasurably important aim.
A new survey commissioned by the Publishers Association (PA) has shown that children's reading for pleasure remains a priority for adults across the country, despite a decline in reading.
Last month, the annual "What Kids Are Reading Report" - which has tracked the reading habits of children over the past 16 years - showed a 4.4% drop in the number of books being read by young people, and showed that this is particularly a problem among secondary school pupils. This year and the first year of the pandemic were the only times that the results have shown a decline since 2008.
The PA's c.e.o Dan Conway said the body is "ready to work with the new government" to address the barriers that prevent children from reading books for enjoyment, which the research suggests remains a priority for parents and caregivers across the country.
The researchers from the consultancy Savanta interviewed 2,867 adults across the UK from 29th June to 1st July 2024, asking them how they feel about children's access to books and the significance of this issue. According to the PA, 92% thought that it is important for children to have access to books to read for fun, while 68% said this is "very important" to them.
Large-scale, algorithmic bookselling will never outlive the necessity of local stores like ours
We bought our bookshop on Gumtree. In 2019, when the lovely Bookshop at Queenscliff in Victoria came up for sale, my wife, Jayne Tuttle, and I were living in Paris working in advertising.
"Oh no!" she said. "Hope someone good buys it."
"Yeah," I said. "Us".
She thought I'd lost it. We had been edging our way back to the coastal Victorian town where her dad lives for some time, but a bookshop? Wasn't that madness?
But I was certain it was right. A shift to something with meaning, and hope, in uncertain times. I refused to believe that physical books and bookshops were dying, as some would have you believe. We only had to spend time in our neighbourhood to know this. George Whitman, the late owner of Shakespeare and Company, became the poster boy for what would become the new iteration of The Bookshop at Queenscliff. George's belief in books and the goodness of people was unwavering. "The business of books is the business of life," he said. Books weren't going anywhere.
How Mosley went from working as a computer programmer in 1980's New York City to writing the iconic Devil in a Blue Dress.
There is no one to whom a blue dress has meant more to his career than author Walter Mosley, with the possible exception of his biggest fan, President Bill Clinton.
Mosley's Devil in a Blue Dress had been critically acclaimed prior to Clinton telling the world Mosley was one of his favorite writers. But after Clinton's endorsement, Mosley's books traveled from bookstore mystery shelves in the back of the store, to storefront windows and entryway co-op tables in less time than it takes to complete a book signing.
Not since President John Kennedy sang the praises of Ian Fleming, the father of James Bond, has an author's work been jumpstarted so successfully. And Mosley started at a younger age and had a much longer writing career to build on that slightly delayed initial success.
Patrick Worrall on writing about Europe's dark past - as it threatens to return
My debut thriller The Partisan introduced readers to Greta, a spirited young Lithuanian woman forced to take up the gun when her country is invaded first by the Nazis and then the Soviet Union. The action flickered between World War II and 1961, the height of the Cold War. These settings caused me some trepidation when I started to write the book almost five years ago. Would anyone remember how ruthless the Russians were under Stalin? Would the shadow of nuclear annihilation that hangs over the characters resonate today, in a more peaceful world?
April Henry on successfully channeling family history and criminal tendencies into fiction.
"Going down the steps with a gun in his hands"
Our family's criminal history used to be a secret. Before Google, it was easy to hide your past.
When my grandmother Effie Satterwhite was 17, she had a boyfriend named Jim. According to her brother's court testimony, he once caught them "conducting themselves in what he thought a very unbecoming manner on the front porch." He ordered Effie inside, and told Jim never to come back. But Jim declared he wished to marry her.
A few months later, when the young couple returned from a date, Jim tried to kiss her, but Effie pushed him away. When the town clock rang eleven, Jim said he had to go. This time she did let him kiss her.
Once inside, Effie saw her father run down the porch stairs with a shotgun, then heard a shot. She tried to run to Jim, but her father shouted at her, telling her she had gotten him into trouble with her hugging and kissing.
Labour achieved a landslide win in yesterday's general election, with Sir Keir Starmer due to enter Number 10 Downing Street for his first term in office.
Author bodies have urged the new Prime Minister Sir Keir Starmer to put the "existential threats" to publishing back on the agenda in pursuit of a "fairer deal" for authors amid the "profound challenges" posed by Artificial Intelligence and poor pay.
Labour achieved a landslide win in yesterday's general election, with Sir Keir Starmer due to enter Number 10 Downing Street for his first term in office.
The Society of AuthorsThe British authors’ organization, with a membership of over 7,000 writers. Membership is open to those who have had a book published, or who have an offer to publish (without subsidy by the author). Offers individual specialist advice and a range of publications to its members. Has also campaigned successfully on behalf of authors in general for improved terms and established a minimum terms agreement with many publishers. Recently campaigned to get the Public Lending Right fund increased from £5 million to £7 million for the year 2002/2003. Regularly uses input from members to produce comparative surveys of publishers’ royalty payment systems. http://www.societyofauthors.org/' chief executive Anna Ganley heralded the new era, but urged the new government to "to waste no time in getting these issues back on the agenda".
Ganley said: "We are keen to resume the important work of securing government support for a fairer deal for authors, and look forward to working with the new ministers and their teams."
In my previous blog, I outlined five ways in which publishing can, and likely will, use AI to streamline and make its operations more efficient. I'd like to turn your attention to how AI can help sell more books.
If you've ever used digital advertising to market a book, you've used AI. All the major digital platforms use AI and machine learning to optimize ads. Simply put, the platforms automatically serve the best-performing ads to the demographics that are clicking on them the most.
But the advent of generative AI-like Midjourney-and the ability to create images ‘out of thin air' and copy from a prompt herald a new era of opportunity in Advertising and Publishing.
Books have a fundamental problem when it comes to marketing. They are packed full of ideas, lessons, imaginings, creativity, wonder, and all manner of richness that feeds the soul and nourishes the mind of a reader. But all of this is often left underused in marketing because most books have only one visual marketing asset: their cover.
"What's going on with the book market?" an agent asked me this week. The big books are not showing up, the débuts are passing by too fleetingly, while genre titles, the brands, and backlist books are shifting to the centre ground and taking root. In short, for this year's trends, look to last year's hits. Rinse and repeat.
The numbers back this up to a certain extent. At the halfway point of the year Nielsen BookScan's Total Consumer Market recorded sales of £767.7m, a 1% drop on the same 26-week period last year, with an average selling price of more than £9 helping inflate the market. Familiars such as Murdle, Bored of... and romantasy are lifting their publishers to new heights at the expense, perhaps, of the new. As usual, there are no 2024 débuts in the first half Top 50, but that doesn't mean we aren't seeing a freshening up of the bestsellers-Freida McFadden, Rebecca F Kuang, Holly Jackson and Dav Pilkey all speak to different bits of the market supporting growing brands. But what's also going is that there are fewer print books being sold: in the UK that's 3.5 mllion lower than in the same period last year, only a slight slow-down on last year's 3.8 million dip (give or take Prince Harry's Spare, which is the distorting comparator from last year).
Reports from Germany and France show something similar-a case of fewer books sold, but the sector continuing to grow at the value level. In the US, where BookScan only reports volume, we are now in a third year of declining sales.
While at the sales conference of Jonathan Ball Publishers, Richard Charkin sizes up features of the South African book market.
I have spent a week in a multilingual country with 60 million inhabitants, many races, terrific political instability, and a huge gap between rich and poor.
This could have been describing my home, the United Kingdom, but it was South Africa. I was invited to travel there by Jonathan Ball Publishers, the largest sales, marketing, and distribution partner of a distinguished roster of international publishers: HarperCollins, Bloomsbury, Simon & Schuster, Faber, Thames & Hudson, Hachette, and many others, large and small.
I was principally there for Ball Publishers' sales conference held in Walkersons Private Estate near Dullstroom on the very high veld. The estate is brilliantly run by Alex Band and Fiona Scott-Berning.
Anyway, to business. Last year saw retail book sales of 7.6 million units generating 1.8 billion ZAR or South African Rand (US$98.1 million, £76,9 million) with an average unit selling price of ZAR234 (US$12.75, £9.99).
Kate Quinn on gathering material for great historical mysteries.
Nowadays whenever I read something truly off-the-wall in a historical novel, I think to myself "I bet that really happened, because nobody would make that up." Novelists, after all, are restricted by what is plausible: will a reader believe this could really happen? Reality knows no such constraints: anything can happen, and usually already has.