Michael Morpurgo has denied a Sunday Times report that he "refused" to include The Merchant of Venice in a forthcoming Shakespeare anthology for children due to antisemitism. Read more
Covid-19 has radically transformed the ways people live and work. For those who are in the business of making children's books-which are as much art objects as works of fiction or nonfiction-the pandemic has forced art and design professionals to both reevaluate their workflow and assess what has been lost and gained in these unpredictable times.
If you are not someone who spends much time with young children, you may only be dimly aware of Donaldson's work - although you will probably be familiar with her most famous creation, the Gruffalo. If you have children, however, you will know her as a cultural juggernaut whose influence among children is perhaps only surpassed by the works of Disney and CBeebies. Read more
Once in a while, a book comes along that lingers long after a spine is first cracked. It consumes your every waking thought, burying itself so deep into your psyche that years later, on occasion, it will still emit some stray spark of memory. Read more
Author-illustrator Diane Alber self-published her first children's book, I'm Just a Scribble, in the fall of 2017 after a successful Kickstarter campaign. Fifty titles and nearly one million print unit sales later, she has partnered with Surge Licensing to expand her brand and characters globally. Read more
Simon & Schuster's rights team has sold A F Steadman's debut middle-grade series Skandar and the Unicorn Thief in 23 languages, with total advances in excess of £1m.
Two years after the stark revelation that only 1% of British children's books featured a main character who was black, Asian or minority ethnic, the proportion has increased to 5%, according to new analysis. But a child from an ethnic minority background is far more likely to encounter an animal protagonist when reading a book than a main character sharing their ethnicity.
When I made the extremely practical decision to abandon my career in publishing to become a writer, I didn't know I wanted to write children's books. I thought I wanted to write for adults. Read more
The formats varied, but children's and YA authors and editors cut through any anxiety about digital sessions with candid and powerful discussions about identity, race, mental illness, immigration, history, and art at the combined New Voices New Rooms conference for the New Atlantic and Southern Independent booksellers this week.
‘The thing I like about novels is that they are a more forgiving form. You can make missteps. It's harder to write a really good short story - I'm more aware of the flaws in my short stories.
Michael Morpurgo has denied a Sunday Times report that he "refused" to include The Merchant of Venice in a forthcoming Shakespeare anthology for children due to antisemitism. Read more
Pitching a manuscript isn't for cowards, the thin skinned, or those with no endurance. Believing your project is worthy, truly believing in it, is required, as is the patience of a saint.
Poets & Writers wrapped up its 50th anniversary in 2020 by announcing a $250,000 contribution from Barnes & Noble founder-and longtime P&W supporter-Len Riggio. The donation from Riggio and his wife, Louise, will be used for new initiatives to extend the organization's support of Black and marginalized writers.
George Saunders once said, ‘when you read a short story, you come out a little more aware and a little more in love with the world around you'...but what is the best way to start? Read more
George Orwell died at University College Hospital, London, on 21 January 1950 at the early age of 46. This means that unlike such long-lived contemporaries as Graham Greene (died 1991) or Anthony Powell (died 2000), the vast majority of his compendious output (21 volumes to date) is newly out of copyright as of 1 January. Read more
It might be a picture of gloom and doom for most business sectors in 2020 though surprisingly, the publishing sector has come out unscathed from the vagaries of the pandemic. Sales have largely been positive across all segments of the book industry, which includes printed books, eBooks, and audiobooks.
Open internationally.
Entry fee £28, £25 to subscribers to The North
Prize:
Publication by Smith|Doorstop Books; a share of £2,000 cash; a launch reading; publication in the North magazine; book vouchers from Inpress Books
The 2021 International Book & Pamphlet Competition is now open for entries
Judged by Daljit Nagra & Pascale Petit
DEADLINE: last post on Monday 1st March 2021, or midnight on Monday 1st March 2021 for online entrants.
ENTRY FEE: £28, or £25 for North subscribers, Friends of the Poetry Business and members of the Poetry Society. Read more
'People have many cruel expectations from writers. People expect novelists to live on a hill with three kids and a spouse, people expect children's story writers to never have sex, and people expect all great poets to be dead. And these are all very difficult expectations to fulfill, I think.'
‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move. Read more
‘No one reads your book as closely as a translator does, which is something you learn very quickly. I'm in such awe of them. They also read beneath it and around it. They make me consider things I thought I knew the meaning of because I use those words in everyday dialect and that's how the characters express themselves.
In my latest romance novel, How to Catch a Queen, my heroine finally achieves her lifelong dream of becoming a queen following an arranged marriage-only to find herself in a country where the voices of women aren't respected, and queens are powerless. Read more
'I have to know where I'm going'
‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move. Read more