Skip to Content

What's New

Check what's changed and when:

  • The site is normally updated every Monday (London dateline).

The email newsletter keeps you informed about what's new in the WritersServices site.

  • If you 'subscribe' - it's free - we send you the update and links each week.
  • This month's online Magazine is another way of catching up with what's new on the site

May 2020

25 May 2020 - What's new

May 2020
  • 'The rules for writing under lockdown are no different to other ties. It won't happen unless you make it happen. It's incremental and frustrating, and your chances of being paid for it are tiny, but it's a fascinating process, with all the glamour and excitement of an affair but with less chance of divorce. Once you discover the joys of it, and the pains, it will bring you the deepest pleasure. Good luck...' Writing under Lockdown from Louise Doughty, author of nine novels including Platform Seven, Apple Tree Yard and Black Water, and the how-to-write guide A Novel in a Year, in the Sunday Times Magazine.
  • From our 19-part Inside Publishing series - on Copyright: 'Many writers worry about losing their copyright. Before sending out your manuscript it is always advisable to put a copyright line consisting of the copyright sign ©, the year and your name on the title page...' On The Writer/Publisher Financial Relationship: 'There's no escaping the fact that publishers and authors are essentially in an adversarial position. Even in the very best and most supportive publisher/writer relationships there is the tension caused by the fact that authors would like to earn as much as possible from their writing and publishers to pay as little as they can get away with...'
  • You'll have to be very quick to enter The Bridport Prize 2020, which closes on 31 May. There are four parts to this Prize, as follows: Poetry, Short Story and Flash Fiction are open to unpublished work from any writer writing in English over 16. The Novel Award is restricted to UK writers. The entry fees are £10 per poem, £12 per story, £9 for flash fiction and £20 per novel. Poetry and Short Story 1st Prize £5,000, 2nd Prize £1,000, 3rd Prize £500. Flash Fiction 1st Prize £1,000, 2nd Prize £500 and 3rd Prize £250. Novel Award 1st Prize £1500, 2nd Prize £750 and 3 awards of £150. Go for it!
  • Other competitions which are still open.
  • We have a new endorsement from Daniela Stanciulescu in Paris, on her English Language Editing for writers who are not native English speakers: ‘WritersServices editors are not just excellent professionals, they are persons of letters involved in helping the writers who are trying to enter in the world of British books... I am impressed. I am grateful. I'm delighted. Thank you so much.'
  • Our links: the impact on publishing and authors, How Book Publishers Decided To Move Publication Dates During The COVID-19 Pandemic; hundreds of YA book releases and publicity plans have been altered by the Covid-19 pandemic, YA Authors Move Online; this will be a very different Frankfurt. The plan is to run the event not only on the fair's grounds but also decentralized at locations in the city, and as a virtual event, Frankfurt Book Fair 2020 to go ahead | The Bookseller; a lively conversation with Judy Blume, Curtis Sittenfeld Rewrites Hillary Clinton's Life Without Bill; and "like watching an IMAX movie from the front row," NPD's Kristen McLean on US Book Sales During the Pandemic.
  • Rotten Rejections provides a note of the things publishers wish they'd never said: on Animal Farm by George Orwell ‘It is impossible to sell animal stories in the USA' and Carrie by Stephen King 'We are not interested in science fiction which deals with negative utopias. They do not sell.'
  • More links: the Pandemic will hit many industries hard, there is a particularly deep fear for those in the relatively privileged cultural industries, Radical Publishing in a Pandemic; making sure your readers are on the edge of their seats, Five tips for keeping your readers gripped - National Centre for Writing; in 1909, long before the invention of the World Wide Web or the prospect of a world where we must live socially distant from each other, he arguably predicted both, How E.M. Forster's Only Foray Into Sci-Fi Predicted Social Distancing | Literary Hub; and what a truly amazing row, Romance Writers of America aims for happy end to racism row with new prize | Books | The Guardian.
  • Our 20 Services for writers - just a list of what we offer at WritersServices.
  • From our Writers' Quotes 'Sometimes the ideas just come to me. Other times I have to sweat and almost bleed to make ideas come. It's a mysterious process, but I hope I never find out exactly how it works. I like a mystery, as you may have noticed.' J K Rowling.

18 May 2020 - What's new

May 2020

11 May 2020 - What's new

May 2020

4 May 2020 - What's new

May 2020
  • ‘I think this period, if it's doing nothing else, is probably making reading a more central part of people's lives than before. Reading is always, in one sense, a form of escape. It's escaping into a life which is not the life that you're actually having to live. That's why we do it.' Penelope Lively, author of Booker Prize-winning Moon Tiger, Family Album and more than 38 other books for adults and children in the Observer. Escaping the Lockdown.
  • An Editor's advice on planning, part of our 7-part series, 'Some people like to know exactly what they're doing before they start writing. They make very elaborate diagrams of the plot, note what each character is doing and when - this is particularly useful if you're writing a story which depends very heavily on a complex series of events coming together at just the right moment. Some writers focus on building detailed descriptions of their characters, so they know how they will react in any given situation, and then put them into the action. Once they've made a plan, they stick to it, but they then make a note of the ideas they have as they work, and then go back later and see if they can be incorporated into the story. If not, they might be worth using elsewhere...'
  • The Aesthetica Creative Writing Award 2020 is open to all. The entry fee for Poetry entries is £12, with £18 for Short Fiction entries, but hurry because there's an offer if you enter by 10 May. £1,000 is awarded to both the Poetry and Short Fiction winners, plus publication the Aesthetica Creative Writing Anthology, which is awarded to 60 writers shortlisted by the judging panel. Closing 31 August.
  • If you've come to the site looking for a report on your manuscript, how do you work out which one would suit you best? Which Report? includes our new top-of-the range service, the Editor's Report Plus, introduced by popular demand to provide even more detail. This very substantial report takes the form of a chapter-by-chapter breakdown and many writers have found this detail helps them to get their book right. Through our specialist children's editors we can offer reports on children's books.
  • Our links: A Portable Paradise, which has already won the T S Eliot prize, moves from the Grenfell Tower fire to the Windrush generation and the legacy of slavery, Roger Robinson's poems of Trinidad and London win Ondaatje prize | Books | The Guardian; ever since early March independent booksellers have been tweaking their business models in an attempt to remain solvent, Virtual Author Events Are the Next Big Thing; a significant proportion of the UK and Ireland's smallest independent presses say their businesses are at risk as a result of the Coronavirus lockdown, Small presses fear being 'wiped out' by autumn | The Bookseller; if you're in any way a member of the independent publishing community, welcome, What Can Independent Presses Do to Survive These Uncertain Times? and another really thorough article, How to Write a Novel Synopsis | Jane Friedman.
  • If, in spite of Jane Friedman's help, you find it difficult to write your own synopsis for submission to agents and publishers, our Synopsis-writing service can help. If you're preparing to self-publish and having difficulty with your blurb, our Blurb-writing service from a professional copy-writer will make your book stand out.
  • More links: 'I miss writing stories in which a life lived online does not figure, On the Relief of Ignoring the Internet in Fiction | Literary Hub; on publishing when bookshops are closed, being an ‘exercise nut' and the dangers posed to writers by mob rule, Lionel Shriver: 'Some people think I'm evil incarnate' | Books | The Guardian; the Queens of Crime who dominated the Golden Age of British detective writing, Christie & Sayers & Allingham & Tey | CrimeReads; and, from a fan of the great poet who left it too late, Dear Eavan Boland, I Wanted to Send You a Letter | Literary Hub.
  • How to get your book translated into English (without it costing the earth) - for non-native English speakers wanting to reach the international English language market. If your English is good enough, what about writing your book in English or translating it into English yourself, and then getting your translation polished and copy edited by a professional editor who is a native English speaker? The result should be a publishable manuscript at a relatively low cost, ready for you to publish or submit to publishers.
  • From our Writers' Quotes, Stephen King on audiobooks: ‘I listen to my own books. The reason why is because you can hear everything you did right and everything you did wrong. This is the most honourable form of storytelling there is.'