How can we accept the decline of newspapers and magazines, and the quality journalism therein, or accept the exploitation of writers? How can we retain valuable reporting, which requires payment?
One of the limitations of my talk was that it focused primarily on the history of book authorship and creative writing, more so than the fortunes of newspaper and magazine publishing or freelance journalists. I consider writing for hire (freelancing and journalism) quite different than creative writing (novels, memoir, etc), because the former necessarily has to pay attention to marketplace concerns, and if not, be gifted into existence or sustainability by patrons, grants, fellowships, and so on.