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Poetry Writers' Yearbook 2008

Thu, 28/07/2016 - 9:37pm
Poetry Writers’ Yearbook - new edition

Article on ePoetry and eZines

The Poetry Writers' Yearbook 2008 gives detailed listings of publishing companies, events and competitions, and helps you to survive and thrive as a poet.  Read more

National Association of Writers in Education: new resources

Mon, 20/08/2012 - 8:19pm

Under the title Turning the Next Page, UK writers organisation NAWE has assembled a series of resources commissioned as part of an ongoing project in Scotland, funhded by Creative Scotland, supporting the careers of writers.  Read more

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'Go for broke'

30 January 2023

'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world.  Read more

'By the time I am nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times. I am suspicious of both facility and speed. Good writing is essentially rewriting. I am positive of this.'

— Roald Dahl

Worldbuilding 5: culture

Mon, 30/01/2023 - 6:28pm
Culture

Culture is a slippery concept; it's one of those terms we all know the meaning of until we actually think about it. For the writer, culture can be a two-edged sword: ignore it and your story lacks depth, colour and context; focus too much on it and you risk bamboozling - or worse, boring - your reader into putting the book down.  Read more

Primadonna Prize

Information

Closing date: 
13 March 2023
Entry: 
Unpublished authors 18 years old or over resident in the UK. Entry fee £8
Prize: 
Book contract with HQ with advance of £7,500 and agent representation

The Primadonna Prize for unsigned and un-agented authors will, for the first time, offer the winner a book contract with HQ with an advance of £7,500 for world English rights.  Read more

16 January 2023 - What's new

January 2023
  • ‘It's a big part of the job. Being able to put yourself in their shoes is really important. I'm not a writer, but I watch a lot of author content online and I read a lot of stuff from authors. Having that perspective is really important for me to be able to give my authors context. Their emotions are important. If they're disappointed we didn't sell, so am I.
  Read more