Editor's advice

One could probably write a book about researching for a book. It's a big topic and it covers a lot of different subjects and approaches. However, whether you are writing fiction or non-fiction, there are some general principles that are worth paying attention to. In this article, I'll explore some basic ground rules for research.  Read more

Writing a non-fiction book is a very different project to writing a novel; the motivation, purpose, style and approach are quote distinct. ‘Non-fiction', of course, covers a wide range of genres and formats; however, there are some principles that apply across the board. In this article I will explore some of the basic requirements in writing a non-fiction book.  Read more

President Woodrow Wilson once declared (heavens knows why) that the hyphen was ‘the most un-American thing in the world'. Observant readers will have noticed that he couldn't have said this (and no one could have written a report of his words) without a hyphen; thus perhaps proving that the President was blithely unaware of grammatical irony.  Read more

The synopsis is a strange document; it is at once the dullest, and perhaps the most important, part of the submission package. It reduces your book, your creative project, to a few lines of plain, unadorned narration; yet it allows a publisher to see the book as a whole, to get a feel for the narrative arc and the development of the plot.  Read more

I am asked this question surprisingly often. I say surprising because one might assume, most of the time, that the genre of a book is obvious. And, most of the time, it is relatively obvious; authors tend to aim their efforts at specific markets. But once in a while, you come across a book that defies simple classification.  Read more