At this week's conference of the Independent Publishers' Guild, Jo Forshaw talked about the way in which the audio market is opening up, beginning to provide a challenge to ebooks. Read more
A generally buoyant picture has emerged from the London Book Fair, which showed an international publishing business in relatively good shape and double-digit growth in the all-important number of pre-registered visitors to the Fair. The mood of optimism was stoked by the low pound and several new developments. Read more
The successful growth of new British publisher Head of Zeus shows how an international approach to publishing can put a business in a strong position through challenging the traditional approach to publishing markets. Read more
Some nervousness has been expressed by authors and staff in the last few days about the impending purchase by Bertelsmann of part of the Pearson share of Penguin Random House, but is there really much reason to feel anxious about this? Read more
The first major publishing news of the New Year has been the announcement that Pearson, having declared a profit warning because of change and volatility in the educational market and declining sales in higher education, is intending to offload its 47% stake in Penguin Random House - and its partner Bertelsmann is keen to acquire it. Read more
The changes digitisation has brought about in the agent's role are substantial but one of the unchanging things about getting an agent is that developments in the publishing world have made remarkably little difference to it - it's as difficult as ever, some would say more so. Read more
So, another London Book Fair has come and gone. Our links this week include some interesting stories about the Fair but the main thing seems to be that this was a lively and confident affair, with publishers from all over the world bullish and ready to do business. Read more
Independent London publishing house Atlantic has recently had a new managing director, Will Atkinson. He put forward the company's publishing philosophy very clearly in an article for Bookbrunch, which sadly is behind their paywall. It is possible however to quote what he says in his article, ‘Publishing culture and commerce': Read more
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world.
Here is how platforms die: First, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.
Agents have predicted continued demand in 2023 for feel-good stories as well as a romance and ‘romantasy' boom thanks to TikTok but say there could be a shift this year towards darker, genre-busting and challenging books.
When I pitched One Woman's War: A Novel of the Real Miss Moneypenny in October 2020, I had no idea that Operation Mincemeat, a movie about the same subject matter, would be released in early 2022, just a few months before One Woman's War was due out.
In a sense, every detective novel is about the inside of someone's head. What immediately captures the reader at the beginning of a Sherlock Holmes story is the tick-tock of Holmes mind: what brilliance will he conjure next, what detail will he pull out of an ordinary scene, who is this guy?
Both Romance & Sagas and Sci-Fi & Fantasy had banner years, with Romance's £53m its best since 2012, the year of E L James and Fifty Shades, and Sci-Fi & Fantasy's £47m its highest since 2007. Colleen Hoover's It Ends with Us was the overall bestseller of the year, with four other Hoover titles in the top 10. Read more
Mystery readers savor the hallmarks of their preferred subgenres of crime fiction. To meet their expectations, the savvy mystery author should choose their words wisely. Authors must deliver the expected violence level, the appropriate sleuth qualifications, the correct level of police involvement, a vibrant setting, a compelling whodunnit, and a satisfying resolution.
Everybody wants a good climax, especially when it comes to storytelling. That's why, today, we'll answer the question- what is a story climax? We'll also talk about the types of story climaxes, climaxes versus other story elements, look at some examples, and discuss how to write a compelling story climax. So, let's get started!
"Why isn't there more sex in your books?" I get this question a lot. In my DMs. In my email. In Zoom book club meetings, bookstore signings, and festival events. This, more than any other, seems to be the question my enthusiastic (and apparently thirsty) fans are burning to ask. Written inquiries are usually punctuated with fire emojis, or more commonly, a string of bright red chili peppers. Read more
I write dark fantasy stories for adults that explore survival after sexual trauma and war. My work focuses on the aftermath of sexual violence and the way my protagonists stubbornly live well after the unthinkable. There are no on-page depictions of SA in my work. Read more
I write a historical fiction series set in World War Two London. My protagonist is a Scotland Yard detective called Frank Merlin. I place great importance on being historically accurate in my books. I take the view that as I am attempting to transport my readers to a very different time and place, accuracy is a key element to doing that successfully. Read more
Booksellers report that more customers are switching to paperbacks as household budgets tighten, with agents and publishers also predicting a shift towards the cheaper format. Read more
'If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative.'