At this week's conference of the Independent Publishers' Guild, Jo Forshaw talked about the way in which the audio market is opening up, beginning to provide a challenge to ebooks. Read more
A generally buoyant picture has emerged from the London Book Fair, which showed an international publishing business in relatively good shape and double-digit growth in the all-important number of pre-registered visitors to the Fair. The mood of optimism was stoked by the low pound and several new developments. Read more
The successful growth of new British publisher Head of Zeus shows how an international approach to publishing can put a business in a strong position through challenging the traditional approach to publishing markets. Read more
Some nervousness has been expressed by authors and staff in the last few days about the impending purchase by Bertelsmann of part of the Pearson share of Penguin Random House, but is there really much reason to feel anxious about this? Read more
The first major publishing news of the New Year has been the announcement that Pearson, having declared a profit warning because of change and volatility in the educational market and declining sales in higher education, is intending to offload its 47% stake in Penguin Random House - and its partner Bertelsmann is keen to acquire it. Read more
The changes digitisation has brought about in the agent's role are substantial but one of the unchanging things about getting an agent is that developments in the publishing world have made remarkably little difference to it - it's as difficult as ever, some would say more so. Read more
So, another London Book Fair has come and gone. Our links this week include some interesting stories about the Fair but the main thing seems to be that this was a lively and confident affair, with publishers from all over the world bullish and ready to do business. Read more
Independent London publishing house Atlantic has recently had a new managing director, Will Atkinson. He put forward the company's publishing philosophy very clearly in an article for Bookbrunch, which sadly is behind their paywall. It is possible however to quote what he says in his article, ‘Publishing culture and commerce': Read more
We specialize in writers based in Japan who are seeking publication overseas, but we are happy to receive submissions from any authors writing in English. We represent fiction and nonfiction for both adults and children, though we have a particular interest in books related to Japan and Asia in general.
'In our world authors may grumble at poor advances, royalties and meagre sales, but at least - in the main - the money flows, as it should, towards the author and availability in shops is a given. In the alternative reality of hybrid, subsidised or contributory publishing, it is authors who provide the investment in return for giving up their rights. The rewards can be dubious...
When I started writing what would become my debut novel, Happy for You, in 2015, the Cambridge Analytica scandal had not yet happened. I wanted to write about technology-specifically, internet technology-which, at the time, was still awash in techno-optimism, but which I was beginning to suspect was having some negative effects on my brain, on my sense of being. Read more
Joël Dicker is often dismissed as a popular fiction writer not to be counted among the literary greats of his era. On the other hand, almost everyone acknowledges his business acumen. The Geneva native is one of the ten most popular authors in the French-speaking world. Read more
The number of books read by children is increasing, analysis completed as part of the annual What Kids Are Reading Report (WKAR) from learning and assessment provider Renaissance Learning has revealed. However authors warn "recent years have seen a worrying decline in children and young people's reading enjoyment". Read more
At least once a month, there's a big discussion online about something or other that has happened in publishing. It might be about where novelists find inspiration, or how authors use sources in nonfiction, or the research practices of journalists versus academics, or the intent of a memoirist, or how much power and influence your average author has. Read more
Since my debut novel, Other People's Children, was published last April, I've been thinking a lot about who gets to tell which stories. Some of my readers don't seem to think that I should have been allowed to write the book that I wrote.
An online survey by the Society of Authors and the Writers Guild of Great Britain found that many authors end up out of pocket if they sign deals with ‘hybrid' publishers.
The international circuit begins each year with two spring fairs: the Bologna Children's Book FairThe Bologna Children's Book Fair or La fiera del libro per ragazzi is the leading professional fair for children's books in the world. and the London Book Fair, typically held in March and April, respectively. The several book fairs of the summer and fall follow: Beijing International Book Fair and Frankfurt Book FairWorld's largest trade fair for books; held annually mid-October at Frankfurt Trade Fair, Germany; First three days exclusively for trade visitors; general public can attend last two. held, respectively, in August or September and October. Read more
Approximately 130 people, as well as others listening online, attended the Book Industry Study Group's first in-person annual meeting in three years, held April 22 in New York City. The meeting focused on the impact of the pandemic and continuing efforts to make the industry more inclusive.