At this week's conference of the Independent Publishers' Guild, Jo Forshaw talked about the way in which the audio market is opening up, beginning to provide a challenge to ebooks. Read more
A generally buoyant picture has emerged from the London Book Fair, which showed an international publishing business in relatively good shape and double-digit growth in the all-important number of pre-registered visitors to the Fair. The mood of optimism was stoked by the low pound and several new developments. Read more
The successful growth of new British publisher Head of Zeus shows how an international approach to publishing can put a business in a strong position through challenging the traditional approach to publishing markets. Read more
Some nervousness has been expressed by authors and staff in the last few days about the impending purchase by Bertelsmann of part of the Pearson share of Penguin Random House, but is there really much reason to feel anxious about this? Read more
The first major publishing news of the New Year has been the announcement that Pearson, having declared a profit warning because of change and volatility in the educational market and declining sales in higher education, is intending to offload its 47% stake in Penguin Random House - and its partner Bertelsmann is keen to acquire it. Read more
The changes digitisation has brought about in the agent's role are substantial but one of the unchanging things about getting an agent is that developments in the publishing world have made remarkably little difference to it - it's as difficult as ever, some would say more so. Read more
So, another London Book Fair has come and gone. Our links this week include some interesting stories about the Fair but the main thing seems to be that this was a lively and confident affair, with publishers from all over the world bullish and ready to do business. Read more
Independent London publishing house Atlantic has recently had a new managing director, Will Atkinson. He put forward the company's publishing philosophy very clearly in an article for Bookbrunch, which sadly is behind their paywall. It is possible however to quote what he says in his article, ‘Publishing culture and commerce': Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more