Agents have predicted continued demand in 2023 for feel-good stories as well as a romance and ‘romantasy' boom thanks to TikTok but say there could be a shift this year towards darker, genre-busting and challenging books.
The age old conundrum of which came first, the chicken or the egg, can definitely be applied to author branding and the genres across which an author writes. While many authors establish a brand based on the books they write, others write books (especially non-fiction) inspired by an existing brand. Read more
This past fall, I came across an essay published by Literary Hub in defense of genre labels. Author Lincoln Michel argued that, while genre labels are fraught, they are "highly useful" and we "actually need them more than ever." Read more
How many times have you walked into a bookstore with a particular title in mind, and walked out with three others you hadn't planned to buy? As readers, we're drawn to a snappy title, a cool cover, a shout line that intrigues and excites. We decide, on a whim, to revisit an old favorite, or to try a new author, recommended by the bookseller's handwritten review card. Read more
My parents-good Protestants that they are-often ask me, "Why horror? Why can't you write nice things?" To which I generally reply, "Have you read the newspaper lately?" Read more
You can't have a good thriller without a nasty and formidable opponent for your hero. But it isn't enough to just write a character and call him "the bad guy." Just as it's important to create a well-rounded, three-dimensional hero, you must create a villain who is well-developed and not just your standard killer, robber, or kidnapper. Read more
I've been a science fiction and fantasy nerd for as long as I can remember. And I'm not sure when I started to register that some of the speculative books I love weren't all marketed or categorized the same way.
What makes 1984 or The Handmaid's Tale more literature than science fiction? Read more
It turns out we're a nation hooked on crime and thrillers, with over a third of Brits reading these genres regularly. Mystery and drama follow in third and fourth position, with 34.9% and 32.9% of the population selecting these as their favoured genres. Read more
Mills & Boon (M&B) has revealed a "huge" relaunch lined up for January, the first facelift for the brand in a decade. The rebrand features a sleeker logo and revamped covers, refreshed point-of-sale material, a beefed-up book club and the brand's first engagement with the blogging community. Read more
In an interview that raised many hackles, Gregory dismissed erotica as ‘pornography' and crime novel villains as ‘blindingly obvious' - despite her own novels occupying a distinct genre themselves
‘My success, I believe, stems from a combination of factors. Firstly, the freedom of self-publishing allowed me to explore and cater to my niche without being constrained by traditional publishing expectations. This direct connexion to readers, without intermediaries, provided invaluable feedback, enabling me to refine and better my work.
For the second in our profiles of bestselling authors, this week we're delighted to speak to Mark Billingham, who was recently presented with three Nielsen Bestseller Awards: gold for selling half a million copies of Sleepyhead, and silver for selling a quarter of a million copies of both Scaredy Cat and Buried, all published by Little, Brown.
My name has always felt, somehow, apart from me. But names, like all words, are approximations. From the day of my birth, I was called Christie, though it wasn't really my name. My real name was Christine. Well, my middle name was Christine. My first name - Miriam - I heard only at the receptionist's window of the dentist's office or on the first day of school. Read more
For the last two years, I've had unexpected success in experimenting with my "chipmunk research method." I was inspired to try this technique after hearing an intriguing comment made by my friend Oriano Belusic, past president of the Canadian Federation of the Blind (CFB).
When book sales spiked in 2020 and 2021, publishers believed one reason for the increase was that more people had turned to reading during the pandemic, and they were hopeful that some of those people would continue to read when things returned to normal. However, a new report from the National Endowment for the Arts seems to dash those hopes.
In early August, after Andrew Lipstein published The Vegan, his sophomore novel, a handful of loved ones asked if he planned to quit his day job in product design at a large financial technology company. Read more