Open to all writers over 16.
Entry fee €15 per story
Prize:
1st prize €3,000, 2nd prize week-long writing retreat at Circle of Misse in France plus €250 travel stipend, 3rd prize €1,000
The Moth Short Story Prize is an important date on the literary calendar. Every year, a single judge is asked to choose three winning stories to feature in the autumn issue of The Moth. Read more
British nationals and UK residents, aged 18 years or over.
No entry fee
Prize:
Winner £15,000 plus 4 shortlisted authors £600
The BBC National Short Story Award with Cambridge University (NSSA) and BBC Young Writers' Award with Cambridge University (YWA) opened for submissions at 9am on Thursday 13th January 2022.The BBC National Short Story Award is one of the most prestigious for a single short story, with the winning author receiving £15,000, and four further shortlisted authors £600 each. Read more
Open to writers across the world. Entry fee for both prizes £18
Prize:
Two £10,000 prizes are awarded: the Manchester Poetry Prize for best portfolio of poems and the Manchester Fiction Prize for best short story
The Manchester Writing Competition offers the UK's biggest literary awards for unpublished work, offered by the country's most successful writing school. The Competition was established in 2008 by Carol Ann Duffy (UK Poet Laureate 2009-19) and has awarded more than £195,000 to writers. Read more
Open to all writers over 16.
Entry fee €15 per story
Prize:
1st prize €3,000, 2nd prize week-long writing retreat at Circle of Misse in France plus €250 travel stipend, 3rd prize €1,000
The Moth Short Story Prize is an important date on the literary calendar. Every year, a single judge is asked to choose three winning stories to feature in the autumn issue of The Moth.
This year's judge is award-winning story writer and novelist writer Ali Smith. Read more
Open to women writers only from across the world with unpublished manuscripts (self-published work allowed)
Entry fees - various
Prize:
Various
Short Story
For complete short stories in any genre for adult /young adult women writers. First Prize 3,000 plus optional week at an Arvon writing centre Entry fee 310
Flash Fiction
Fr complete short fiction narratives in any genre for adults and/or young adult readers First Prize £500 Entry fee £5
Two £10,000 prizes are awarded: the Manchester Poetry Prize for best portfolio of poems and the Manchester Fiction Prize for best short story
The Manchester Writing Competition offers the UK's biggest literary awards for unpublished work, offered by the country's most successful writing school. The Competition was established in 2008 by Carol Ann Duffy (UK Poet Laureate 2009-19) and has awarded more than £195,000 to writers. Read more
Eligibility and entry fee Poetry, Short Story and Flash Fiction open to unpublished work from any writer writing in English over 16. Novel Award restricted to UK writers.
Entry fee: £10 per poem, £12 per story, £9 for flash fiction and £20 per novel
Prize:
Poetry and Short Story 1st Prize £5,000, 2nd Prize £1,000, 3rd Prize £500. Flash Fiction 1st Prize £1,000, 2nd Prize £500 and 3rd Prize £250. Novel Award 1st Prize £1500, 2nd Prize £750 and 3 awards of £150.
The Bridport Prize has four sections: Poetry, Short Story, Flash Fiction and Novel Award.
Read the Rules carefully, as they have different prizes, rules and entry fees.
Unpublished short stories - open to all.
Entry fee Early Bird: 31 May 2020 – €10 per story, Final Deadline: 31 July 2020 – €15 per story
Prize:
A €300 cash prize and the chance to see their work published in a future issue of Anthology Magazine
Writers of short fiction are invited to enter the Anthology Magazine Short Story Competition. Established to recognise and encourage creative writing and provide a platform for publication, it is open to original and previously unpublished short stories in the English language by a writer of any nationality, living anywhere in the world. Read more
Open to all writers over 16.
Entry fee €15 per story
Prize:
1st prize €3,000, 2nd prize week-long writing retreat at Circle of Misse in France plus €250 travel stipend, 3rd prize €1,000
The Moth Short Story Prize is an important date on the literary calendar. Every year, a single judge is asked to choose three winning stories to feature in the autumn issue of The Moth.
This year's judge is Mark Haddon, author of the worldwide bestseller, The Curious Incident of the Dog in the Night-time, which won seventeen literary prizes and is now an acclaimed stage play. Read more
Open to any novelist or short story writer from around the world who has been published in the UK or Ireland.
No entry fee
Prize:
First Prize £30,000, shortlisted authors get £1,000
Promoting & celebrating the excellence of the modern short story
The Sunday Times Audible Short Story Award is the richest prize for a single short story in the English language, worth £30,000 to the winner. The award, for a story of 6,000 words or less, is open to any novelist or short story writer from around the world who has been published in the UK or Ireland. Read more
We specialize in writers based in Japan who are seeking publication overseas, but we are happy to receive submissions from any authors writing in English. We represent fiction and nonfiction for both adults and children, though we have a particular interest in books related to Japan and Asia in general.
'In our world authors may grumble at poor advances, royalties and meagre sales, but at least - in the main - the money flows, as it should, towards the author and availability in shops is a given. In the alternative reality of hybrid, subsidised or contributory publishing, it is authors who provide the investment in return for giving up their rights. The rewards can be dubious...
When I started writing what would become my debut novel, Happy for You, in 2015, the Cambridge Analytica scandal had not yet happened. I wanted to write about technology-specifically, internet technology-which, at the time, was still awash in techno-optimism, but which I was beginning to suspect was having some negative effects on my brain, on my sense of being. Read more
Joël Dicker is often dismissed as a popular fiction writer not to be counted among the literary greats of his era. On the other hand, almost everyone acknowledges his business acumen. The Geneva native is one of the ten most popular authors in the French-speaking world. Read more
The number of books read by children is increasing, analysis completed as part of the annual What Kids Are Reading Report (WKAR) from learning and assessment provider Renaissance Learning has revealed. However authors warn "recent years have seen a worrying decline in children and young people's reading enjoyment". Read more
At least once a month, there's a big discussion online about something or other that has happened in publishing. It might be about where novelists find inspiration, or how authors use sources in nonfiction, or the research practices of journalists versus academics, or the intent of a memoirist, or how much power and influence your average author has. Read more
Since my debut novel, Other People's Children, was published last April, I've been thinking a lot about who gets to tell which stories. Some of my readers don't seem to think that I should have been allowed to write the book that I wrote.
An online survey by the Society of Authors and the Writers Guild of Great Britain found that many authors end up out of pocket if they sign deals with ‘hybrid' publishers.
The international circuit begins each year with two spring fairs: the Bologna Children's Book FairThe Bologna Children's Book Fair or La fiera del libro per ragazzi is the leading professional fair for children's books in the world. and the London Book Fair, typically held in March and April, respectively. The several book fairs of the summer and fall follow: Beijing International Book Fair and Frankfurt Book FairWorld's largest trade fair for books; held annually mid-October at Frankfurt Trade Fair, Germany; First three days exclusively for trade visitors; general public can attend last two. held, respectively, in August or September and October. Read more
Approximately 130 people, as well as others listening online, attended the Book Industry Study Group's first in-person annual meeting in three years, held April 22 in New York City. The meeting focused on the impact of the pandemic and continuing efforts to make the industry more inclusive.
‘I listen to my own books. The reason why is because you can hear everything you did right and everything you did wrong. This is the most honourable form of storytelling there is.'