January 2015 - Writers Magazine

News Review

• 'So what are fiction editors looking for in 2015? A handful of British editors have contributed to a recent article in the Bookseller, speaking up for home-grown talent, strong debut novels and - perhaps surprisingly - books in translation...'
• Nielsen Children's Book Summit has presented a very encouraging picture of what's going on in the children's book world. Children's sales have been rising steadily and, as previously noted, the sales of children's books in the UK market recently exceeded sales of Adult Fiction. Middle grade and YA Fiction has been doing particularly well. But this News Review looks at the surprise statistic that 80% of YA titles are purchased by adults for themselves.
• 'When David Harsent received the 2014 T S Eliot Prize for Poetry in the elegant surroundings of the Courtyard at the Wallace Collection in London this week, he had won a prize which has recently been increased to £20,000, the richest prize in British poetry. It's appropriate to think of T S Eliot's money going to a contemporary poet through the generosity of the Eliot Estate. Much of this comes from Cats, the hugely successful musical made out of Eliot's beloved children's book Old Possum's Book of Practical Cats, adapted by Andrew Lloyd Webber and long a global blockbuster...' Our News Review this week: 'A poet for dark and dangerous days' wins 2014 T S Eliot Prize.
• Our News Review this week: 'As we enter another new year it seems that the book world is becoming ever more global. Our new list of 2015 International Book FairsInternational Book Fair Information brings home just how many are aspiring to international status and trying to establish themselves as attracting a truly worldwide audience of publishers, booksellers and authors...'
• 'Two interesting pieces of news from the last week show that publishing - of both the traditional and the new variety - is stronger than you might think. In China the second Shanghai International Children's Book Fair has attracted 250 exhibitors from 25 countries, with 6,000 Chinese and international business visitors and 20,000 Chinese consumers expected to attend This new Fair offers a real challenge to the international children's rights fair in Bologna...'

Comment

• 'As I write, it is 5.30pm on a wet Wednesday afternoon, and so far today I have talked once, to my wife, about which of us is going to take our youngest son to football training. I appreciate how lucky I am in my work. I am able to support myself and my family through my writing. I can watch as many YouTube clips as I want. My lunch hour is when my stomach tells me it should be. But on a normal working day, things are very, very quiet around here... Nick Hornby, author of About a Boy and Funny Girl, in the Sunday Times magazine, quoted in our Comment column, in a piece entitled Screenwriting - a collaborative endeavour...'
• 'I've always been interested in those painful moments between people which can't be fully articulated, and even if they were fully articulated might become even more unbearable. There's no way out. Nor do I think in situations like that there's that horrible American word 'closure'. Because for all the sexual liberation, the great social changes through the 60s and 70s, one meets loads of people who seem to have been married for ever...' Ian McEwan, talking about The Children Act in the Sunday Times magazine
• ‘I had about 24 hours when I hovered under my covers and was like, "I killed feminism. Why did I do that? Rats... Then I quickly felt comfortable with what I had written. Women shouldn't be expected only to play nurturing, kind caretakers. That's always been part of my goal - to show the dark side of women... Gillian Flynn, author of Gone Girl, in the New York Times
• 'I began with thinking about how almost all families have such a sense of pride in their specialness, even if they have no real reason to make them feel so proud. I think that every family has stories that they choose. They filter out many of the stories that they could have, and they select one or two to be their family's stories. I'm always interested in why those... why not others? Anne Tyler, author of The Accidental Tourist, talking about her new novel A Spool of Blue Thread in the Bookseller.
• 'I became a reader overnight. I remember exactly what happened. I was 14 and went to John Menzies newsagent. Every book that had a vaguely smutty blurb I bought... The only exception to the highbrow erotica was Alan Paton's Cry the Beloved Country. I thought, "This is as boring as shit..." After 40 pages, something started to change...' Alan Warner, author of The Sopranos and Their Lips Talk of Mischief in the Independent on Sunday
• ‘Beginners' failures are often the result of trying to work with strong feelings and ideas without having found the images to embody them, or without even knowing how to find the words and string them together. Ignorance of English vocabulary and grammar is a considerable liability to a writer of English. The best cure for it is, I believe, reading. Ursula K Le Guin , author of the classic The Left Hand of Darkness and Dancing at the Edge of the World on Brain Picking.

Quote

'Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.'

H P Lovecraft