September 2014 - Writers Magazine

News Review

• The book trade internationally does seem to have turned the corner after a difficult few years when a major format change at the same time as a deep global recession turned everything upside down... Bookshops are working out new ways of surviving, with a focus on events, local authors, school supply and so on. No doubt the fallout will continue but in the UK and US there are definite signs of more bookshops surviving and is the online competitors to Amazon who are having a hard time. Our News Review this week covers the good news that print book sales have recovered a bit, while children's leads the way.
• 'So just how do you go about promoting poetry and poets? There are lots of answers to this and many poets are very successful at promoting themselves through a combination of their publisher's efforts or self-publishing, through readings, performances and getting their work into poetry magazines, online or other kinds of promotion...' This week's News Review looks at a big new poetry promotion - Next Generation Poets 2014.
• 'John Lewis of the Bookseller has argued strongly that the paperback edition is still a major factor in book sales and what's more that its position doesn't seem to be changing in the face of ebook sales nearly as much as had originally been assumed, now that things are settling down. What's surprising about this is that the paperback edition is coming out 6-12 months after the hardback and ebook are available. Even more important in terms of sales, you would expect the ebook to completely cannibalise the paperback sales as it's invariably not only available sooner but also considerably cheaper...' News Review on why paperbacks still have legs.
• 'Recent figures from Bowker in the US show a startling plunge in the number of titles printed print-on-demand by 46% year-on-year. Even more surprising perhaps is that this decline is not part of the major shift from print titles to ebooks, as the overall print figures declined by only 1.6%. This figure reverses the sector's growth from 2011 to 2012 and shows that the number of print books being produced is remarkably stable. So much for the theory that print books would disappear and be replaced entirely by ebooks as the digital revolution proceeded...' This week's News Review is on Print on demand plunges and the Frankfurt Book FairWorld's largest trade fair for books; held annually mid-October at Frankfurt Trade Fair, Germany; First three days exclusively for trade visitors; general public can attend last two. sets up self-publishing programme.
• 'It looks as if open submissions are here to stay. Publishers, having for many years tried to stem the tide of unsolicited submissions, are now openly soliciting them within a time-limited and often genre- specific framework. Some publishers have always worked this way. Harlequin Mills and Boon has been an example, encouraging unsolicited manuscripts in specific sub-genres of romance and going to some pains to encourage authors to send in what they were looking for to add to each of their lists. But most publishers have made it clear that they will not accept unsolicited submissions...'

Comment

• 'Publishing is the process of getting an author's thoughts and ideas to the mind of a reader. Book publishing was carried out in the traditional manner for so long that everyone began to believe that publishers, agents, publicists and bookshops were essential to the process. The multiplicity of options brought about by the digital age remind us that there are only two constants in the process: the author and the reader...' Nicola Solomon, CEO of the UK Society of Authors in the Bookseller
• 'I think I will write, in my 70s, more novellas. I love the idea of sitting down to read something in three hours - about the length of an opera, or a long movie, or a play where all of its structure can be held in the mind. A novella is a great length, and it's a demanding genre in which things have to be settled quickly.' Ian McEwan, author of The Children Act, in the Observer.
• ‘I write by hand, then type it up. When I've finished a scene, I'll read it and, if it needs editing, I write all over it, then retype it. I fax the copy to a typist, who puts it on a disc, and she faxes it back, then I edit it again. When I start a new novel I already have the story in my head, including the ending, so I begin by doing an outline and then write it consecutively - page one is always page one...' Barbara Taylor Bradford, author of A Woman of Substance and Cavendon Hall, in The Times.
• This week's Comment is from children's writer Anthony Horowitz: ‘A writer is over when they think they're perfect. Sometimes you just have to rewrite a book: the new Sherlock Holmes novel wasn't working, so 42,000 words in I'm back to the beginning... All writing comes from tension. If you have a nervous energy, a sort of discontentment and unanswered questions, you want to rub and scratch and examine yourself. I tend to get stressed about everything - that is how I am. But if it all comes out on the page, well, at least it's got a home.'
• In response to one commentator, Melanie A, who said the "publishing business is corrupt, sick and almost dead", Child stated: "When you say the publishing business is corrupt, sick, and almost dead, you're completely wrong. Yes, it's cautious and careful, as a result of the recession you mention, and the changing entertainment environment you note, and contracts are certainly stricter, but it's vibrant, optimistic, profitable, energetic, full of very smart people, most of them young, most of them women, and I find it a very pleasant place to work (but then, I came from television.) Lee Child, author of 19 Jack Reacher novels, including Personal, after appearing on UK's Newsnight TV programme, quoted in our Comment column.
• ‘I never started writing thinking I would make a lot of money out of it. Most of the writers I knew in the early days had day jobs. When I started making a bit of money from it that was nice. When it became a full-time occupation that was lovely. So the money was a bonus, really. Ian Rankin, author of Saints of the Shadow Bible and many other Rebus novels in the Sunday Telegraph.

Quote

'Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.' Barbara Kingsolver