The announcement of the winner of the Man Booker International Prize this week highlights again the growing importance of literary prizes in the international book world. Read more
It's a measure of the growing interest in short stories, amongst both writers and readers, that Costa launched its short story prize in 2012 and that the public is currently invited to read and listen to the shortlisted stories selected from over 1,000 entries on the Costa Book Awards website, and to take part in the public vote. Read more
This year's Booker result raises so many interesting issues that a longer report on Frankfurt, the Book Fair and other issues relating to international publishing will come next week. The links this week give a clue to the many themes that Paul Beatty's win with The Sellout has raised. Read more
Sometimes an author seems to step new-minted into bestsellerdom and, even rarer, literary acclaim. Lisa McInerney is such a writer and her winning of the Bailey Prize earlier in the month, followed by the Desmond Elliott Prize this week, marks a remarkable debut. Read more
Nick Clee asks in this week's Bookbrunch if you need to transcend a prize to win it, inspired by the Costa win by Frances Hardinge's children's book. Read more
This week's story was to have been on the rise in support for short stories, until, that is, Marlon James had his stunning Man Booker Prize win last night. Read more
The longlist for this year's Man Booker Prize is both diverse and international, with a wide range of different kinds of writers and a number of debuts. The longlist features three British writers, five US writers and one each from the Republic of Ireland, New Zealand, India, Nigeria and Jamaica. Read more
When John Spurling won the £25,000 Walter Scott Prize for Historical Fiction recently with The Ten Thousand Things it was much more than a good win against a formidable shortlist, which included Martin Amis, Helen Dunmore, Adam Foulds and Kamila Shamsie. Read more
The growth of literary prizes of one kind and another seems unending, although it's a pity from the point of view of unpublished writers that so many of them are restricted to books which have come from traditional publishers. Read more
Eimear McBride's A Girl is a Half-Formed Thing is having an extraordinary impact. Now that it's won the new Bailey Women's Prize (successor to last year's Women's Fiction Prize and the Orange Prize), there seems to be no stopping the author. Read more
‘When an editor works with an author, she cannot help seeing into the medicine cabinet of his soul. All the terrible emotions, the desire for vindications, the paranoia, and the projection are bottled in there, along with all the excesses of envy, desire for revenge, all the hypochondriacal responses, rituals, defenses, and the twin obsessions with sex and money.
World of Books Group, the UK's largest retailer of used books, has partnered with the Society of Authors to launch a new grant to support writers as they work on 'books of any genre that have the power to inspire progressive behaviour change.' Read more
For all the armchair puzzlers for whom sudokus and crosswords have palled over the long months of lockdown, a fiendish new literary conundrum is about to slide on to bookshelves - with a rather lucrative and unusual reward.
I have been a film-maker for more than 30 years and have acquired filing cabinets full of international research. In my second career as a thriller author, these gems have not been wasted. All my books are based upon my past investigative documentaries. Read more
An economist's attempt to explain behavior in publishing or any other domain typically begins with the cost-benefit principle: an action should be taken if and only if the benefits of taking it exceed the corresponding costs. Read more
Yesterday's webinar "Publishing Now '21: Looking Forward," hosted by Westchester Publishing Services and Publishers WeeklyInternational news website of book publishing and bookselling including business news, reviews, bestseller lists, commentaries http://www.publishersweekly.com/, attracted more than 500 viewers, as industry insiders discussed the state of the publishing industry, the ways in which it has been changed by the pandemic, and the outlook going forward. Read more
No one in the industry was surprised last week when HarperCollins emerged as the buyer for Houghton Mifflin Harcourt Books & Media, the sixth-largest trade publisher in the U.S. Read more
Independent publishers including Carcanet, Comma Press and Otter-Barry Books say Arts Council England's second round of grants from its Culture Recovery Fund are much needed as publishers negotiate a "tough" market. Read more
The Authors Guild is asking its membership and allies in the publishing industry to contact their senators to express support for the PRO Act, which has passed the House and is under discussion by the Senate. The act would enable freelance writers and authors to bargain collectively with businesses that hire them, something currently restricted by antitrust law. Read more
It's a venerable global cultural institution, dedicated to freedom of expression and set to celebrate its centenary this year. Yet the writers' association PENSupported by eminent writers, this is the English branch of International Pen, which has centres in nearly 100 countries. It fights for freedom of expression and against political censorship. It campaigns for writers harassed, imprisoned and sometimes murdered for their views. http://www.englishpen.org/ is displaying signs of tension over a declaration claiming the right of authors to imagination, allowing them to describe the world from the point of view of characters from other cultural backgrounds.
When Claudio Gatti published an investigation into Elena Ferrante's identity, a few years ago, he raised an outcry both in Italy and abroad. He had pried into the author's privacy, violated her right to remain anonymous. It was unfair, it was irrelevant, we didn't want to know. Read more
'Writing is a strange synthesis between the two parts of your mind: the analytical side and the side that knows nothing at all, and you have to allow the dreaming side free rein.’