Booker Prize-winning author Samantha Harvey has revealed how she nearly "lost her nerve" when writing her novel Orbital, over fears no-one would want a read a book by "a woman who had never been to space".
You only have to look at the extent of the global reach of the winner the day after to see what a big deal the prize has become internationally. Coverage from right round the world, all the big American media outlets, but also from across the Continent, the Far East, the southern hemisphere, the Middle East.
With Sri Lanka's Shehan Karunatilaka and India's Geetanjali Shree taking home two of publishing's biggest prizes, what next for one of the world's most overlooked literary regions?
The remarkable thing about this violence-soaked novel narrated by a dead man is how full of life it is. Shehan Karunatilaka's The Seven Moons of Maali Almeida comes a decade after his rollicking debut Chinaman, which combined the love of cricket with the horror of Sri Lanka's civil war. Read more
There are wonderful stories in publishing, but the story of Douglas Stuart is pure magic. And with Young Mungo (Grove, Apr. 2022), the follow-up to his 2020 Booker Prize-winning debut novel, Shuggie Bain, more magic is all but guaranteed.
This year's key prizes have gone to writers from Africa and the diaspora. Damon Galgut, Mohamed Mbougar Sarr, Abdulrazak Gurnah and others explain what winning means to them
This year an idiosyncratic shortlist has produced a clear and unsurprising winner. With an impressive backlist and two former shortlistings, Damon Galgut is a major figure in world literature and a vital, nuanced chronicler of the deep hurts of South Africa, past and present.
Its knack for creating tension and controversy has helped it remain an energising force in publishing for more than 50 years - but how do writers, publishers and judges cope with the annual agony of the Booker?
The South African author struggled to find a publisher for her Booker-nominated novel An Island, which only had a print-run of 500 copies. She talks about rejection, her country and believing in herself
What began as a cozy nook on the corner of the internet, has quickly transformed into a global phenomenon. As of 2025, #BookTok has accumulated 370 billion views, with over 52 million creations jumping on board-skyrocketing bestsellers, reviving backlist titles and informing reading habits worldwide1.
The Publishers' Licensing Services (PLS) and the Authors' Licensing and Collecting Society (ALCS) have announced "a significant development" in the licensing of content for generative AI.
A pioneering alternative to the opt-out system proposed by the government is supported by publishers and writers and is set to be available for use this summer
Last month, I prompted Meta AI with a question: "Is it okay to use pirated books to train AI?" The machine's response was unequivocal. "Using pirated books to train AI is not okay," it admonished. "In fact, it's a serious violation of copyright laws and can have significant consequences for authors and publishers. Read more
The author of Beyond the Secret Lake, which won the Selfies Award, tells BookBrunch about her inspirations, research, and why she chose to self-publish
Open to all writers over 16.
Entry fee €15 per story
Prize:
1st prize €3,000, 2nd prize week-long writing retreat at Circle of Misse in France plus travel stipend, 3rd prize €1,000
The Moth Short Story Prize is an international prize, open to anyone from anywhere in the world, as long as their story is original and previously unpublished. The winners are chosen by a single judge each year, who reads the stories anonymously.
‘Storytelling is a form of resilience. Think of Scheherazade - for 1001 nights, with every story, she survives, lives a little but longer in the face of authoritarianism or tyranny. Stories give us hope and connect us. Sometimes this tradition is looked down upon or belittled, but I think our superstitions are the projections of our deepest fears... Read more
'Books are comforting, maybe especially when you're growing up, because reading a story that has a main character you can identify with, and - crucially - an ending you already know, is cathartic.'
Poets ‘are the great people in literature because they manage to gather thought and feeling, and intellectual and emotional intensity into words in a way that I haven't done in my writing...
'I suggest that the only books which influence us are those for which we are ready, and which have gone a little further down our particular path than we have yet got ourselves.'
'Storytelling is a form of resilience'
‘Storytelling is a form of resilience. Think of Scheherazade - for 1001 nights, with every story, she survives, lives a little but longer in the face of authoritarianism or tyranny. Stories give us hope and connect us. Sometimes this tradition is looked down upon or belittled, but I think our superstitions are the projections of our deepest fears... Read more