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Imprints

Fleet joins run of new imprints

16 May 2016

A notable recent trend in publishing houses is to set up imprints for favoured editors and then, in theory at least, to give the editors free rein. Mostly they're quite commercial and give the editor the chance to concentrate on acquiring and editing a small list of books which will give them a better chance of publishing a few books which do extremely well.  Read more

Do publishing imprints matter?

2 March 2015

The excellent article by Philip Jones, editor of the Bookseller, in this week's Futurebook, is an interesting examination of imprints and their importance within the publishing business. But it does seem that most authors will be indifferent to the imprint and in a way they're right.  Read more

Flamingo grounded

2 February 2004

This week brought the announcement from HarperCollins UK that its Flamingo list is to be merged into Fourth Estate, with the loss of two jobs, including that of the highly-regarded publishing director, Philip Gwyn Jones.  Read more

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4 January 2021 - What's new

January 2021
  • ‘The thing I like about novels is that they are a more forgiving form. You can make missteps. It's harder to write a really good short story - I'm more aware of the flaws in my short stories.
  Read more

The 2021 International Book and Pamphlet Competition

Information

Closing date: 
1 March 2021
Entry: 
Open internationally. Entry fee £28, £25 to subscribers to The North
Prize: 
Publication by Smith|Doorstop Books; a share of £2,000 cash; a launch reading; publication in the North magazine; book vouchers from Inpress Books

The 2021 International Book & Pamphlet Competition is now open for entries

Judged by Daljit Nagra & Pascale Petit

DEADLINE: last post on Monday 1st March 2021, or midnight on Monday 1st March 2021 for online entrants.

ENTRY FEE: £28, or £25 for North subscribers, Friends of the Poetry Business and members of the Poetry Society.  Read more

'People have many cruel expectations from writers. People expect novelists to live on a hill with three kids and a spouse, people expect children's story writers to never have sex, and people expect all great poets to be dead. And these are all very difficult expectations to fulfill, I think.'

— C. JoyBell C.

'I have to know where I'm going'

4 January 2021

‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move.  Read more

28 December 2020 - What's new

December 2020
  • ‘No one reads your book as closely as a translator does, which is something you learn very quickly. I'm in such awe of them. They also read beneath it and around it. They make me consider things I thought I knew the meaning of because I use those words in everyday dialect and that's how the characters express themselves.
  Read more