After its sponsorship model changed from a single-headline partnership with Baileys, the Women's Prize is enjoying a golden summer of talks, workshops and a booming merchandise line backed by high-profile influencers.
From Sally Rooney to Raven Leilani, female novelists have captured the literary zeitgeist, with more buzz, prizes and bestsellers than men. But is this cultural shift something to celebrate or rectify?
The Nigerian-American author won the Orange Prize in 2007 and her ‘Half of a Yellow Sun' has been voted the best of the Women's Prize's 25 years of winners.
The Women's Prize has issued a statement saying that eligibility for the prize extends to "all women" where a woman is defined as "a cis woman, a transgender woman or anyone who is legally defined as a woman or of the female sex". Read more
Akwaeke Emezi, who became the first non-binary transgender author to be nominated for the Women's prize in 2019, has said that they will not let their future novels be entered for the award after the prize asked them for information on their sex as defined "by law". Read more
The Women's Prize for Fiction recently debuted an upcoming project which will mark the 25th anniversary of the prize: an initiative called "Reclaim Her Name" (#ReclaimHerName) which republishes famous works by twenty-five female authors who published under male nom-de-plumes in the 19th and early 20th centuries, including George Eliot, George Sand, Vernon Lee, and Arnold Petri. Read more
Women's prize sponsor Baileys has apologised for putting an illustration of the wrong black abolitionist on the cover of a book in a series republishing female authors who wrote under male pseudonyms - a project that has received mixed reactions since it launched earlier this week.
Middlemarch is to be published for the first time in almost 150 years under George Eliot's real name, Mary Ann Evans, alongside 24 other historic works by women whose writing has only ever previously been in print under their male pseudonyms.
The Women's Prize Trust is launching Discoveries, a writers' development programme offering aspiring female writers of all ages and backgrounds "encouragement and support" at the beginning of their creative journeys. Read more
Open to unpublished, unagented children’s writers based anywhere in the world.
Entry fee £20
Prize:
First Prize: a publishing contract with Chicken House with an advance of £10,000, plus the offer of representation from literary agent representation by Lydia Silver of Darley Anderson Children's Book Agency.
‘I always quote Kurt Vonnegut. He said in the early part of his career he was dismissed as a science fiction writer and that critics tend to put genre books, including sci-fi, in the bottom drawer of their desk... It's true. I get the New York Times every Sunday. In 37 novels, I've never had a stand-alone review. I'm always in the crime round-up.
A survey of 787 members of the Society of Authors (SoA) has found that a third of translators and a quarter of illustrators have lost work to generative Artificial Intelligence (AI) systems. Translators are also more likely to use AI to support their work, with 37% of respondents saying they have done so, followed by 25% of non-fiction writers.
The author Lynne Reid Banks, known for her novel The L-Shaped Room and her children's book series The Indian in the Cupboard, has died at the age of 94.
I launched my podcast Making It Up nearly three years ago with the goal of interviewing writers not for any particular work of theirs, but to talk to them about their lives. I didn't want to ask them what famous author they want to have dinner with or what their top five favorite books are ... yech. Read more
Until we have a mechanism to test for artificial intelligence, writers need a tool to maintain trust in their work. So I decided to be completely open with my readers