After four years of hard work with a well-known New York City literary agent, around Christmas 1999, I gave up on the traditional route and decided to publish my first novel, a Silicon Valley cyberpunk thriller called Acts of the Apostles, myself.
New research by the Alliance of Independent Authors (ALLi) claims authors who self-publish currently earn more than traditionally published authors. Read more
I started this year's Year in Review blogs with traditional publishing partly because that Department of Justice anti-trust case produced such juicy tidbits that I couldn't ignore them, and partly because I have always started with traditional publishing. Back in the day, I saw all of us (writers, readers, and publishers) as creatures that emerged from traditional publishing.
Independent authors are changing the face of publishing with figures suggesting they now make up around a third of e-book sales in the largest English-language markets.
According to recent statistics, there are more than 750,000 self-published books in the UK and the last five years saw a 68% growth in self-published e-books.
As someone who has published (twice) with a hybrid press, I've become aware that there's a lot of confusion about what the term means and how hybrid publishing really works.
It's a tough decision for a writer to make, one of the toughest. All your life you've fantasized about one of the big New York publishers buying your book and its subsequent astronomical launch into the stratosphere. But it hasn't happened yet in spite of your eating, sleeping, and researching the craft of writing for years. Read more
Author-illustrator Diane Alber self-published her first children's book, I'm Just a Scribble, in the fall of 2017 after a successful Kickstarter campaign. Fifty titles and nearly one million print unit sales later, she has partnered with Surge Licensing to expand her brand and characters globally. Read more
Twelve years ago, on the eve of the modern-day indie author revolution, few writers aspired to self-publish. Self-publishing was seen as a fool's errand. At the time, many writers embraced the false narrative that only publishers and literary agents possessed the divine wisdom to decide which writers are worthy of publication. Read more
‘I always quote Kurt Vonnegut. He said in the early part of his career he was dismissed as a science fiction writer and that critics tend to put genre books, including sci-fi, in the bottom drawer of their desk... It's true. I get the New York Times every Sunday. In 37 novels, I've never had a stand-alone review. I'm always in the crime round-up.
A survey of 787 members of the Society of Authors (SoA) has found that a third of translators and a quarter of illustrators have lost work to generative Artificial Intelligence (AI) systems. Translators are also more likely to use AI to support their work, with 37% of respondents saying they have done so, followed by 25% of non-fiction writers.
The author Lynne Reid Banks, known for her novel The L-Shaped Room and her children's book series The Indian in the Cupboard, has died at the age of 94.
I launched my podcast Making It Up nearly three years ago with the goal of interviewing writers not for any particular work of theirs, but to talk to them about their lives. I didn't want to ask them what famous author they want to have dinner with or what their top five favorite books are ... yech. Read more
Until we have a mechanism to test for artificial intelligence, writers need a tool to maintain trust in their work. So I decided to be completely open with my readers