The world of scholarly communication is broken. Giant, corporate publishers with racketeering business practices and profit margins that exceed Apple's treat life-saving research as a private commodity to be sold at exorbitant profits. Read more
Whilst the journals market is seeing significant growth for open access publication-43 percent growth in articles published in fully open access journals from 13,500 in 2013 to 18,000 in 2014, according to Scopus-it's a much less certain future for monographs. Read more
Those of us who labor in scholarly publishing can be forgiven for thinking that the world is a tiny place. The academic journal, the keystone of our industry, cumulatively brings in about $10 billion a year, not enough to get the CEOs of Uber or Pinterest out of bed in the morning; and the book, the much-despised book, is in retreat everywhere. Read more
University College London will next week launch UCL Press, the first "fully Open Access university press in the UK".
The in-house publishing arm, which will launch on 4th June, will focus on scholarly monographs, textbooks and journals. It will make all its books, journals and monographs freely available online, "creating a diverse and accessible global knowledge resource". Read more
Open to all writers over 16.
Entry fee €15 per story
Prize:
1st prize €3,000, 2nd prize week-long writing retreat at Circle of Misse in France plus travel stipend, 3rd prize €1,000
The Moth Short Story Prize is an international prize, open to anyone from anywhere in the world, as long as their story is original and previously unpublished. The winners are chosen by a single judge each year, who reads the stories anonymously. Read more
‘I was very aware that because the manuscript has my name on it, people would just publish it, however bad it was, and I wanted honest feedback. I wanted to know that someone believed in the book and I truly enjoyed getting unvarnished feedback through my agent. There was one editor who did not like Strike having a famous father and made that point. Read more
'Maybe I should say that memory interests me a great deal, because I think we all tell stories of our lives to ourselves as well as to other people. Well, women do, anyway. Women do this a lot. And I think when men get older, they do this too, but maybe in slightly different terms.'
In the first article on magic in fantasy writing we looked at power scaling, plot armour and plausibility. Here we will look at the different types of magic and, more importantly, the cost of magic. Like many other elements in a constructed world, magic is, effectively, a technology; and technology always has a cost. Read more
'I'm very reassuringly honest. It's a job as well as a calling. It's my living - I'm the chief breadwinner in my house. My husband is retired, he supported me through the two decades while I wasn't making enough to live on, and was doing all kinds of things to do with writing to survive - judging competitions, running workshops, appraising manuscripts.
‘My settings of Europe and English visitors weren't really doing it for them, so we decided Scotland would be good. I thought an island would be great, because it's a small community, and it's an opportunity for my main character to get away from it all. The team at HarperCollins have been so supportive and enthusiastic... Read more
For the past five years or so, I've read books on my phone. The practice started innocently enough. I write book reviews from time to time, and so publishers sometimes send me upcoming titles that fall roughly within my interests. Read more
The Guardian calls Irish-Indian poet Nikita Gill "Britain's most-followed poet on social media"-she has 780,000 Instagram followers and 180,000 TikTok followers, and her Instapoetry has been reshared by the likes of Khloe Kardashian, Alanis Morissette, and Sam Smith-and she has published seven volumes of poetry and two novels in the U.K. But she is far less known on this side of the pond. Read more
Writing under a pseudonym
‘I was very aware that because the manuscript has my name on it, people would just publish it, however bad it was, and I wanted honest feedback. I wanted to know that someone believed in the book and I truly enjoyed getting unvarnished feedback through my agent. There was one editor who did not like Strike having a famous father and made that point. Read more