Books and magazine articles have long provided the IP Hollywood depends on, but until recently, authors played little role in the process. Now, lit agencies and publishers are changing the rules and shortening the page-to-screen pipeline.
Given the increase in book-to-screen deals in recent years, and the tendency of the TV/movie industry to build off existing intellectual property, it's natural for authors to wonder if their own work is suitable for adaptation-or if they can increase their chances of writing something that will be adapted. Read more
I know that writers often feel that the screen adaptation of their work is an inferior-sometimes even an embarrassing-take on the original. Writers say: I told myself that a novel and a film are two different things. Once you sign that contract with Hollywood, let it go. It's out of your hands.
If you want a preview of next year's Emmy Awards, just take a walk past your local bookstore. According to data drawn from Publishers Marketplace, the industry's clearinghouse for news and self-reported book deals, literary adaptations to television have been on a steady climb. Read more
Four years ago, after several decades writing for TV and film, I decided to attempt a novel, something I had always wanted to do but feared to start. The idea for Reckless came from a magazine article about agencies that arrange discreet affairs for the happily married. Read more
Thanks to Hollywood's baffling inability to produce anything that wasn't first a book, a question that gets asked more and more these days is: "Should I read the original?" There is no default answer. Read more
Open to unpublished, unagented children’s writers based anywhere in the world.
Entry fee £20
Prize:
First Prize: a publishing contract with Chicken House with an advance of £10,000, plus the offer of representation from literary agent representation by Lydia Silver of Darley Anderson Children's Book Agency.
‘I always quote Kurt Vonnegut. He said in the early part of his career he was dismissed as a science fiction writer and that critics tend to put genre books, including sci-fi, in the bottom drawer of their desk... It's true. I get the New York Times every Sunday. In 37 novels, I've never had a stand-alone review. I'm always in the crime round-up.
A survey of 787 members of the Society of Authors (SoA) has found that a third of translators and a quarter of illustrators have lost work to generative Artificial Intelligence (AI) systems. Translators are also more likely to use AI to support their work, with 37% of respondents saying they have done so, followed by 25% of non-fiction writers.
The author Lynne Reid Banks, known for her novel The L-Shaped Room and her children's book series The Indian in the Cupboard, has died at the age of 94.
I launched my podcast Making It Up nearly three years ago with the goal of interviewing writers not for any particular work of theirs, but to talk to them about their lives. I didn't want to ask them what famous author they want to have dinner with or what their top five favorite books are ... yech. Read more
Until we have a mechanism to test for artificial intelligence, writers need a tool to maintain trust in their work. So I decided to be completely open with my readers