Figures quoted by China Daily show that publishers in China are benefiting from 300m users of mobile devices who read electronic books. The market is up 25% year on year and reached $1.7 billion in sales last year. Read more
Some sensational figures have just been released showing the trend towards book sales in print form as opposed to ebook is continuing, as sales of consumer ebooks in the UK dropped by a whopping 17%. These figures exclude self-published titles, which have contributed a large proportion of the ebook sales. But more than 50% of genre sales are now reckoned to be in ebook form. Read more
Nielsen has just reported that ebook sales in the US declined a rather surprising 15% in 2016, as compared with 2015. There seem to have been two reasons for this. Read more
Amongst the predictions springing up as we move into the new year, a hard figure is the most astonishing. The slowing-down of ebook sales is well-documented but it is quite startling that the first figure of 2017 is that the UK print market sold 195 million books in 2016, an increase of almost 7% on 2015, and volume increased by 4.5%. Read more
Ebook sales plunged in October 2015, with adult books dropping 22% in one month, compared to children's ebooks which went down a whopping 44.7%. As we've discussed elsewhere, the children's market has a strong preference for print books, with both parents and children preferring them. Read more
This week has yielded some rather unexpected figures from both sides of the Atlantic relating to ebook sales. In the States it looks as if ebook sales are in decline, whereas in the UK there's also a tempering in projections of ebook growth. Read more
Ebook sales growth in the UK seems to be flattening this year. A recent Bowker study showed that digital is taking a much greater proportion of the fiction market than of narrative non-fiction, as in the US. Read more
Amazon's fourth quarter results have just come in $1 billion (£632,62m) short of analysts' expectations, but because of a 55% increase in operating income to $405m (£256m), shares rose 6%. Read more
At last there's some hard information on ebook sales in the UK and an interesting indication of future trends in the US. The Bookseller has managed to put together some ebook sales figures which show that ebook sales in the UK are currently worth around £250m. Read more
Recent figures from Bowker show self-publishing continuing its rapid growth in the US. The number of self-published books coming out has nearly tripled since 2006, with 235,625 new print and ebook titles published in 2011. Read more
‘The thing I like about novels is that they are a more forgiving form. You can make missteps. It's harder to write a really good short story - I'm more aware of the flaws in my short stories.
Michael Morpurgo has denied a Sunday Times report that he "refused" to include The Merchant of Venice in a forthcoming Shakespeare anthology for children due to antisemitism. Read more
Pitching a manuscript isn't for cowards, the thin skinned, or those with no endurance. Believing your project is worthy, truly believing in it, is required, as is the patience of a saint.
Poets & Writers wrapped up its 50th anniversary in 2020 by announcing a $250,000 contribution from Barnes & Noble founder-and longtime P&W supporter-Len Riggio. The donation from Riggio and his wife, Louise, will be used for new initiatives to extend the organization's support of Black and marginalized writers.
George Saunders once said, ‘when you read a short story, you come out a little more aware and a little more in love with the world around you'...but what is the best way to start? Read more
George Orwell died at University College Hospital, London, on 21 January 1950 at the early age of 46. This means that unlike such long-lived contemporaries as Graham Greene (died 1991) or Anthony Powell (died 2000), the vast majority of his compendious output (21 volumes to date) is newly out of copyright as of 1 January. Read more
It might be a picture of gloom and doom for most business sectors in 2020 though surprisingly, the publishing sector has come out unscathed from the vagaries of the pandemic. Sales have largely been positive across all segments of the book industry, which includes printed books, eBooks, and audiobooks.
Open internationally.
Entry fee £28, £25 to subscribers to The North
Prize:
Publication by Smith|Doorstop Books; a share of £2,000 cash; a launch reading; publication in the North magazine; book vouchers from Inpress Books
The 2021 International Book & Pamphlet Competition is now open for entries
Judged by Daljit Nagra & Pascale Petit
DEADLINE: last post on Monday 1st March 2021, or midnight on Monday 1st March 2021 for online entrants.
ENTRY FEE: £28, or £25 for North subscribers, Friends of the Poetry Business and members of the Poetry Society. Read more
'People have many cruel expectations from writers. People expect novelists to live on a hill with three kids and a spouse, people expect children's story writers to never have sex, and people expect all great poets to be dead. And these are all very difficult expectations to fulfill, I think.'
‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move. Read more
‘No one reads your book as closely as a translator does, which is something you learn very quickly. I'm in such awe of them. They also read beneath it and around it. They make me consider things I thought I knew the meaning of because I use those words in everyday dialect and that's how the characters express themselves.
In my latest romance novel, How to Catch a Queen, my heroine finally achieves her lifelong dream of becoming a queen following an arranged marriage-only to find herself in a country where the voices of women aren't respected, and queens are powerless. Read more
'I have to know where I'm going'
‘When I'm putting together a novel, I leave all the doors and windows open so the characters can come in and just as easily leave. I don't take notes. Once I start writing things down, I feel like I'm nailing the story in place. When I rely on my faulty memory, the pieces are free to move. Read more