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Comment from the book world in June 2024

June 2024

'Writing is of you, but it's not YOU'

19 June 2024

'I like David Foster Wallace's notion that writer's block is always a function of the writer having set a too-high bar for herself. You know: you type a line, it fails to meet the "masterpiece standard," you delete it in shame, type another line, delete it - soon the hours have flown by and you are a failure sitting in front of a blank screen. The antidote, for me, has been getting comfortable with my own revision process - seeing those bad first lines as just a starting place. If you know the path you'll take from bad to better to good, you don't get so dismayed by the initial mess.

So: writing is of you, but it's not YOU. There's this eternal struggle between two viewpoints: 1) good writing is divine and comes in one felt swoop, vs: 2) good writing evolves, through revision, and is not a process of sudden, inspired, irrevocable statement but of incremental/iterative exploration. I prefer and endorse the second viewpoint and actually find it really exciting, this notion that we find out what we think by trying (ineptly at first) to write it. And this happens via the repetitive application of our taste in thousands of accretive micro-decisions.'

George Saunders, the author of nine novels, including the Man Booker Prize winning Lincoln in the Bardo, and Liberation Day, a collection of stories.

 

How do you become a writer?

4 June 2024

'How do you become a writer? Answer: you write.

It's amazing how much resentment and disgust and evasion this answer can arouse. Even among writers, believe me. It is one of those Horrible Truths one would rather not face.

The most frequent evasive tactic is for the would-be writer to say, But before I have anything to say, I must get experience.

Well, yes; if you want to be a journalist. But I don't know anything about journalism, I'm talking about fiction. And of course fiction is made out of experience, your whole life from infancy on, everything you've thought and done and seen and read and dreamed. But experience isn't something you go and get-it's a gift, and the only prerequisite for receiving it is that you be open to it. A closed soul can have the most immense adventures, go through a civil war or a trip to the moon, and have nothing to show for all that "experience"; whereas the open soul can do wonders with nothing.

I invite you to meditate on a pair of sisters. Emily and Charlotte. Their life experience was an isolated vicarage in a small, dreary English village, a couple of bad years at a girls' school, another year or two in Brussels, which is surely the dullest city in all Europe, and a lot of housework. Out of that seething mass of raw, vital, brutal, gutsy Experience they made two of the greatest novels ever written: Jane Eyre and Wuthering Heights...

Now, of course they were writing from experience; writing about what they knew, which is what people always tell you to do; but what was their experience? What was it they knew? Very little about "life." They knew their own souls, they knew their own minds and hearts; and it was not a knowledge lightly or easily gained. From the time they were seven or eight years old, they wrote, and thought, and learned the landscape of their own being, and how to describe it. They wrote with the imagination, which is the tool of the farmer, the plow you plow your own soul with. They wrote from inside, from as deep inside as they could get by using all their strength and courage and intelligence. And that is where books come from. The novelist writes from inside.

I'm rather sensitive on this point, because I write science fiction, or fantasy, or about imaginary countries, mostly-stuff that, by definition, involves times, places, events that I could not possibly experience in my own life. So when I was young and would submit one of these things about space voyages to Orion or dragons or something, I was told, at extremely regular intervals, "You should try to write about things you know about." And I would say, But I do; I know about Orion, and dragons, and imaginary countries. Who do you think knows about my own imaginary countries, if I don't?

OK, how do you go about getting at that truth? You want to tell the truth. You want to be a writer. So what do you do?

You write.'

Ursula K Le Guin, author of several famous SF novels, including The Left Hand of Darkness, A Wizard of Earthsea and The Dispossessed.

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