Chaired by the writer and journalist John Walsh, a panel of four publishing insiders deliberated the thorny subject of how to get published in front of a large, well-informed, near-capacity audience of writers at the London Book Fair. Read more
The Masterclass on Historical Fiction at the London Book Fair involved two of the most successful authors in the genre, Bernard Cornwall, author of the Sharpe novels and the Arthurian trilogy, and Philippa Gregory, who first made her name in the field with A Respectable Trade and has more recentlywritten a series of Tudornovels. Read more
The London Book Fair/Daily Mail Masterclasses are running again this year in conjunction with The Arvon FoundationThe celebrated Arvon creative writing courses cover four and a half days and range from Novel Writing to Starting to Write. Some grants are available. (http://www.arvonfoundation.org). The LBF is much earlier this year, so the Masterclasses are on Saturday 4th March at ExCel, the Fair’s new venue in Docklands. Read more
A special report from the 2006 Masterclasses at the London Book Fair
In four packed sessions at the London Book Fair, the Daily Mail Masterclasses provided excellent coaching for aspiring writers. Our second report deals with writing fiction. Read more
A special report from the 2006 Masterclasses at the London Book Fair
In four packed sessions at the London Book Fair, the Daily Mail Masterclasses provided excellent coaching for aspiring writers. Our third report deals with writing for children. Read more
In the 2009 How to Get Published Masterclass at the London Book Fair a packed audience listened intently to a varied group of speakers in a session chaired by journalist Danuta Kean. The panel comprised Bill Swainson, senior editor at Bloomsbury, Simon Trewin, co-head of the book department at new agency United AgentsClick for United Agents Agents References listing, and authors Kate Mosse, Lola Joye and Read more
'I was trained by poetry where you can just write ambience and atmosphere. But in a novel, if there's not a story that people are interested in, with characters that they care about, they'll close the book.'
In the third in a series on the implications of AI for publishing, Nadim Sadek argues that effective advertising is now feasible for everyone, and for all kinds of titles
A publishing friend of mine recently told me about a sales report they'd received from a major retailer in which some of their books had zero sales. It turned out that there had been plenty of sales, however-they just all went to counterfeiters. In case you think this is an outlier, it's not. Counterfeiting is a serious, nontrivial problem facing the industry.
If you read the recently unsealed materials from the federal antitrust lawsuit against Amazon, you'll see why the company wanted to keep them under wraps. According to the unredacted notes from one meeting, Jeff Bezos directed his team to stuff more ads into search results, even if it meant accepting more ads internally categorized as irrelevant to what users were looking for. Read more
The U.K. Publishers Association (PA) was established in 1896 and is a cornerstone of the British publishing industry, working with a diverse array of companies to promote innovation, collaboration, and commercial success. Read more
With English as a shared language, there is a natural relationship between the American and British publishing industries. Most of the world's top publishing companies, be they conglomerates or independent publishers, have operations in each country, typically in New York City and London. Literary traffic travels both ways across the Atlantic.
The UK is experiencing a boom in book clubs, according to new data from event listing companies.
Book club listings on the ticketing site Eventbrite increased by 350% between 2019 and 2023 - a "much stronger" growth than the overall increase in UK-based listings over the same period. Between 2022 and 2023 alone, book club listings on the site rose by 41%. Read more
"We don't understand the consequences of AI with regards to copyright," Brazil's Karine Gonçalves Pansa, president of the International Publishers Association (IPA), said, when asked to name the most important issues facing publishing right now. "We can say, very easily, that our content is being used, without permission, and without license, by AI."