Chaired by the writer and journalist John Walsh, a panel of four publishing insiders deliberated the thorny subject of how to get published in front of a large, well-informed, near-capacity audience of writers at the London Book Fair. Read more
The Masterclass on Historical Fiction at the London Book Fair involved two of the most successful authors in the genre, Bernard Cornwall, author of the Sharpe novels and the Arthurian trilogy, and Philippa Gregory, who first made her name in the field with A Respectable Trade and has more recentlywritten a series of Tudornovels. Read more
The London Book Fair/Daily Mail Masterclasses are running again this year in conjunction with The Arvon FoundationThe celebrated Arvon creative writing courses cover four and a half days and range from Novel Writing to Starting to Write. Some grants are available. (http://www.arvonfoundation.org). The LBF is much earlier this year, so the Masterclasses are on Saturday 4th March at ExCel, the Fair’s new venue in Docklands. Read more
A special report from the 2006 Masterclasses at the London Book Fair
In four packed sessions at the London Book Fair, the Daily Mail Masterclasses provided excellent coaching for aspiring writers. Our second report deals with writing fiction. Read more
A special report from the 2006 Masterclasses at the London Book Fair
In four packed sessions at the London Book Fair, the Daily Mail Masterclasses provided excellent coaching for aspiring writers. Our third report deals with writing for children. Read more
In the 2009 How to Get Published Masterclass at the London Book Fair a packed audience listened intently to a varied group of speakers in a session chaired by journalist Danuta Kean. The panel comprised Bill Swainson, senior editor at Bloomsbury, Simon Trewin, co-head of the book department at new agency United AgentsClick for United Agents Agents References listing, and authors Kate Mosse, Lola Joye and Read more
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more
Open to unpublished and unagented writers from around the world.
No entry fee
Prize:
Prize of £3,000; publication with Tortoise Media; literary representation by RCW literary agent Laurence Laluyaux and other prizes
Fern Press and How to Academy have partnered on a new essay award worth £3,000, in association with Tortoise Media, for unpublished authors.
Fern Press was launched by Vintage last year, while the annual non-fiction essay prize is "for those working at the frontier of creativity and thought", organisers said. Read more
It's not a pretty word, 'blurb'; it smacks of nonsense, or slightly less than entirely honest marketing. Which is unfortunate, because a blurb is a useful and necessary thing; without it, your book is at risk of being a blank text, what you might call a closed book. Read more
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there"... Writing in lockdown, 'So that was a bit of freedom in a way, I didn't have any expectations almost.
'You want to write the twist so that it doesn't suddenly come out of nowhere. I tried to see a few things so that (the reader) thinks, of course! But it is hard to get that balance I think, of trying to get a twist in that is unguessable but not too "out there". Read more
Waterstones managing director James Daunt said social media is reinforcing the reading of "proper" paper books among young people.
Mr Daunt, who is also chief executive of Barnes & Noble, said social media trends such as 'BookTok' on TikTok had been "hugely positive", as he was made a CBE for his services to publishing by the Princess Royal.
A new generation of romance novel consumers has moved a long-standing three-way conversation between reader, writer and publisher onto social media, industry insiders say, speeding up an already fast-moving segment of the publishing world.
When you are next visiting a bookstore, and find your way to the children's section, you might be forgiven for thinking that there is no longer such a thing as a children's author. Instead, you will be ambushed by piles of books blazoned with the names of actors, singers, comedians, DJs and people who generously exhibit themselves on social media.
A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit's core claim of direct infringement-which Open AI did not seek to dismiss-remains active.
For budding authors, the submissions process can be daunting. For anyone with little understanding of the publishing industry and how it works, it can be even more so. And for anyone whose writing sits outside of the established ideas of genre, style or content, it can be utterly baffling as to how to present that to an agent or publisher.
Children's creativity
'The creative process is open to all. I don't believe in some magical creative gift, the exclusive possession of a few, nor need it concern big or sophisticated ideas. On the contrary, creativity may depend upon the recognition that our own thoughts and ideas are as valid as anyone else's; something which we knew as children, and which we were taught to unlearn. Read more