Fiction, non-fiction, children's, biography, travel. Full-length MSS (home 12%, overseas 20%), short MSS (12%/20%), film and radio (15%/20%), TV (15%/15%). Will suggest revision.
Authors include Charlotte Bingham, Terence Brady, Peter Willet, and the Estate of John Bingham.
hhb agency ltd was founded in 2005 by Heather Holden-Brown. The agency represents writers of non-fiction - in particular, journalism, history and politics, travel and adventure, contemporary autobiography and biography, books about words and numbers, popular culture and quirky humour, entertainment and television, business, family memoir, food and cookery - and commercial fiction. hhb agency ltd is always pleased to hear from talented writers. Please call or email before sending in your material.
Please do not send international postal vouchers with submissions. As a small agency which believes strongly in regular and consultative personal contact, they do not represent writers based beyond Europe.
Permissions: If you wish to quote from a book by one of their authors, it is suggested you write first to the Permissions Department of the publisher of the original edition of the book, setting out clearly details of the quotation/s you wish to use and for what purpose.
ltd was founded in 2005 by Heather Holden-Brown. The agency represents writers of non-fiction - in particular, journalism, history and politics, travel and adventure, contemporary autobiography and biography, books about words and numbers, popular culture and quirky humour, entertainment and television, business, family memoir, food and cookery - and commercial fiction. Read more
All full-length MSS, including commercial and literary fiction and non-fiction, crime, thrillers, commercial, women's fiction, children's, science fiction, history, biography, sport, travel, health. No poetry. Send first 3 chapter
Happy to review new work. Please note they do not represent stage plays or poetry. Read more
Fiction: general, literary and crime. Non-fiction: current affairs, social issues, travel, biographies, history.
No plays, poetry, textbooks, children's, technical, legal or medical books.
Submitted work must be double-spaced, single-sided, numbered, typed or word processed with clear contact details. Do not send an SAE as all rejected material is recycled. Read more
Quality literary and commercial fiction and non-fiction, including: politics, history, military history, gardening, thrillers, crime, romance, drama, biography, travel, cookery, humour, UK and foreign estates.
Founded 1967. Full-length and short MSS. Agents in most foreign countries. The agency represents novelists and nonfiction writers as well as several major literary estates. Primarily an agency for English language writers, and currently represents over 200 authors including eight Pulitzer Prize winners and two Nobel Prize winners.
Quality literary and commercial fiction and non-fiction, including: politics, history, military history, gardening, thrillers, crime, romance, drama, biography, travel, cookery, humour, UK and foreign estates.
Also theatre, film, radio and TV scripts.
Overseas associates Georges Borchardt, Inc. (Richard Scott Simon). US film and TV representation CAA, APA and others.
Specialises in theatre, film, radio and TV scripts.
Welcomes approaches from new clients, either to start or to develop their careers. Preliminary letter with sae essential. No reading fee.
Clients include: Rose Tremain, Paul Wilson, and Bonnie Greer, Peter Ackroyd, Benedict Allen, Charles Allen, Pam Ayres, Melvyn Bragg, Steven Carroll, David Cohen, Anna del Conte, Judy Corbalis, Elizabeth Corley, Seamus Deane, Chris Ewan, Rosie Goodwin, Jean Goodhind, Robert Green, Susan Hill, Richard Holmes, HRH The Prince of Wales, Ian Johnstone, Irene Karafilly, Richard Mabey, Graham Rice, Steve Rider, Robert Rigby, Martin Riley, Diane Setterfield, Tom Sharpe, Martin Stephen, Jeffrey Tayler, Andrew Taylor, Rose Tremain, Barry Unsworth, Kevin Wells, Prof. Stanley Wells, Neil White, John Wilsher, Paul Wilson and the Estates of Catherine Cookson, Patrick O'Brian, Penelope Mortimer, Jean Rhys and F.A. Worsley.
). US film and TV representation CAA, APA and others. Read more
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world.
Here is how platforms die: First, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.
Agents have predicted continued demand in 2023 for feel-good stories as well as a romance and ‘romantasy' boom thanks to TikTok but say there could be a shift this year towards darker, genre-busting and challenging books.
When I pitched One Woman's War: A Novel of the Real Miss Moneypenny in October 2020, I had no idea that Operation Mincemeat, a movie about the same subject matter, would be released in early 2022, just a few months before One Woman's War was due out.
In a sense, every detective novel is about the inside of someone's head. What immediately captures the reader at the beginning of a Sherlock Holmes story is the tick-tock of Holmes mind: what brilliance will he conjure next, what detail will he pull out of an ordinary scene, who is this guy?
Both Romance & Sagas and Sci-Fi & Fantasy had banner years, with Romance's £53m its best since 2012, the year of E L James and Fifty Shades, and Sci-Fi & Fantasy's £47m its highest since 2007. Colleen Hoover's It Ends with Us was the overall bestseller of the year, with four other Hoover titles in the top 10. Read more
Mystery readers savor the hallmarks of their preferred subgenres of crime fiction. To meet their expectations, the savvy mystery author should choose their words wisely. Authors must deliver the expected violence level, the appropriate sleuth qualifications, the correct level of police involvement, a vibrant setting, a compelling whodunnit, and a satisfying resolution.
Everybody wants a good climax, especially when it comes to storytelling. That's why, today, we'll answer the question- what is a story climax? We'll also talk about the types of story climaxes, climaxes versus other story elements, look at some examples, and discuss how to write a compelling story climax. So, let's get started!
"Why isn't there more sex in your books?" I get this question a lot. In my DMs. In my email. In Zoom book club meetings, bookstore signings, and festival events. This, more than any other, seems to be the question my enthusiastic (and apparently thirsty) fans are burning to ask. Written inquiries are usually punctuated with fire emojis, or more commonly, a string of bright red chili peppers. Read more
I write dark fantasy stories for adults that explore survival after sexual trauma and war. My work focuses on the aftermath of sexual violence and the way my protagonists stubbornly live well after the unthinkable. There are no on-page depictions of SA in my work. Read more
I write a historical fiction series set in World War Two London. My protagonist is a Scotland Yard detective called Frank Merlin. I place great importance on being historically accurate in my books. I take the view that as I am attempting to transport my readers to a very different time and place, accuracy is a key element to doing that successfully. Read more
Booksellers report that more customers are switching to paperbacks as household budgets tighten, with agents and publishers also predicting a shift towards the cheaper format. Read more
'Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.'
