MSS - theatre, films, TV, sound broadcasting. "We represent a large number of award-winning writers, directors, directors of photography, production designers, costume designers and editors, working in film, television and theatre."
Before submission, a preliminary letter essential. Read more
Represents screenwriters and specialises in film and TV.
Also affiliated with Film Rights LtdWorking in association with Laurence Fitch; works with several agencies in USA and in Europe.
Authors include Carlo Ardito, John Chapman, Peter Coke, Ray Cooney obe , Dave Freeman, John Graham, Robin Hawdon, Jeremy Lloyd (plays) Dawn Lowe-Watson, Glyn Robbins, Edward Taylor and the Estate of the late Dodie Smith.
Jill Foster Ltd represents screenwriters and specialises in film and TV.
Particularly interested in film, TV and radio comedy and drama. Theatre, films, TV and sound broadcasting. Particularly interested in film and TV comedy and drama. No novels or short stories.
Represents authors of fiction and non-fiction, children's writers, screenwriters, playwrights, documentary makers, technicians, presenters and public speakers throughout the world.
Has 85 years of international experience in all media.
The Rod Hall AgencyThe Rod Hall Agency was formed in May 1997 to represent playwrights and screenwriters, writers who also direct, directors and stage and screen rights in selected novels.
Specialises in writers for stage, screen and radio but also deals in TV and film rights in novels and non-fiction and represents writer/directors. Email synopsis and intro in first instance, with a showreel if you are a writer/director.
No reading fee.
was formed in May 1997 to represent playwrights and screenwriters, writers who also direct, directors and stage and screen rights in selected novels. Read more
formerly Laurence Pollinger Ltdformerly Laurence Pollinger Ltd, successor of Pearn, Pollinger and Higham; Clients include writers of adult and children's fiction and non-fiction, many illustrious literary estates, as well as screenwriters, illustrators and photographers; majority of clients are based in the UK and their major sales base is to UK publishing industry and to film/TV, audio and educational markets and other intellectual property areas, successor of Pearn, Pollinger and Higham Read more
'Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world.
Here is how platforms die: First, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.
Agents have predicted continued demand in 2023 for feel-good stories as well as a romance and ‘romantasy' boom thanks to TikTok but say there could be a shift this year towards darker, genre-busting and challenging books.
When I pitched One Woman's War: A Novel of the Real Miss Moneypenny in October 2020, I had no idea that Operation Mincemeat, a movie about the same subject matter, would be released in early 2022, just a few months before One Woman's War was due out.
In a sense, every detective novel is about the inside of someone's head. What immediately captures the reader at the beginning of a Sherlock Holmes story is the tick-tock of Holmes mind: what brilliance will he conjure next, what detail will he pull out of an ordinary scene, who is this guy?
Both Romance & Sagas and Sci-Fi & Fantasy had banner years, with Romance's £53m its best since 2012, the year of E L James and Fifty Shades, and Sci-Fi & Fantasy's £47m its highest since 2007. Colleen Hoover's It Ends with Us was the overall bestseller of the year, with four other Hoover titles in the top 10. Read more
Mystery readers savor the hallmarks of their preferred subgenres of crime fiction. To meet their expectations, the savvy mystery author should choose their words wisely. Authors must deliver the expected violence level, the appropriate sleuth qualifications, the correct level of police involvement, a vibrant setting, a compelling whodunnit, and a satisfying resolution.
Everybody wants a good climax, especially when it comes to storytelling. That's why, today, we'll answer the question- what is a story climax? We'll also talk about the types of story climaxes, climaxes versus other story elements, look at some examples, and discuss how to write a compelling story climax. So, let's get started!
"Why isn't there more sex in your books?" I get this question a lot. In my DMs. In my email. In Zoom book club meetings, bookstore signings, and festival events. This, more than any other, seems to be the question my enthusiastic (and apparently thirsty) fans are burning to ask. Written inquiries are usually punctuated with fire emojis, or more commonly, a string of bright red chili peppers. Read more
I write dark fantasy stories for adults that explore survival after sexual trauma and war. My work focuses on the aftermath of sexual violence and the way my protagonists stubbornly live well after the unthinkable. There are no on-page depictions of SA in my work. Read more
I write a historical fiction series set in World War Two London. My protagonist is a Scotland Yard detective called Frank Merlin. I place great importance on being historically accurate in my books. I take the view that as I am attempting to transport my readers to a very different time and place, accuracy is a key element to doing that successfully. Read more
Booksellers report that more customers are switching to paperbacks as household budgets tighten, with agents and publishers also predicting a shift towards the cheaper format. Read more