The Rod Hall AgencyThe Rod Hall Agency was formed in May 1997 to represent playwrights and screenwriters, writers who also direct, directors and stage and screen rights in selected novels.
Specialises in writers for stage, screen and radio but also deals in TV and film rights in novels and non-fiction and represents writer/directors. Email synopsis and intro in first instance, with a showreel if you are a writer/director.
No reading fee.
was formed in May 1997 to represent playwrights and screenwriters, writers who also direct, directors and stage and screen rights in selected novels. Read more
Full-length MSS. Literary and commercial fiction and non-fiction, children's, performance rights. Also handles adult literary and commercial fiction and non-fiction; 20% of list is for children's market.
Handles picture books, fiction for 5-8 and 9-12 year-olds, teenage fiction, series fiction, film/TV tie-ins and non-fiction. Read more
Rights consultancy and subsidiary rights agent on behalf of packagers, literary agents and publishers: foreign language and co-edition rights worldwide, UK serial, book club, merchandise and other sub rights.
Lavinia Trevor Literary Agency is an independent agency established in 1993 by Lavinia Trevor, who is a member of the Association of Authors' Agents.
The agency represents writers of both fiction (commercial and literary) and general non-fiction (including popular science).
Wherever appropriate they also handle and exploit underlying rights in clients’ books (e.g. translation, US, audio) usually working with co-agents around the world.
For film/television rights they work with The Agency, a distinguished independent theatrical agency also based in London.
Submission guidelines: BIO (By Invitation Only). Authors can get in touch via email with a synopsis of between 500 - 1,000 words. Authors should then only send in manuscripts if invited to do so. Hard copy manuscripts sent in without invitation will not be read. Read more
'Over the past 20 years, some of the best novels written, as it were, or writing that serves the function of a novel, have been on Netflix and HBO. The writing is complicated, the plotting is complicated. It has subtext, and people are really responding to it in a way that, unfortunately, is not happening with books...
I have a small confession to make: I've never been told I need to cut words from my manuscripts. In fact, I'm the author envious of anyone who needs to do so because I'm the one struggling to get my manuscript up to my target word count. And for a long time, I feared I was the only writer with this issue. Read more
Alice Hoffman, author of numerous adult and young adult books including Practical Magic and Aquamarine, has a new middle grade book, When We Flew Away, a historically based imagining of Anne Frank's life before the family was forced into hiding. Young Anne is grappling with her developing identity within her family and community, at times blissfully happy and others deeply contemplative. Read more
In 2007, after my manuscript had been rejected for the 44th time, a colleague offered to introduce me to a published novelist. It turned out to be Mantel - and I was fortunate enough to soak up her wisdom for the next 15 years
My debut psychological suspense novel, The Bookseller, sold to Harper in 2013 in a pre-empt. I'm not going to lie-it was an amazing deal. The type of deal that compelled me to ask my husband, when I called to break the news, "Are you sitting down?"