We represent general and mainstream fiction. This includes, but is not limited to, romance, mystery, YA, sci-fi, and fantasy. We also accept submissions from authors, agents, and publishers who would like to self-publish an original title on eBook. We do not represent nonfiction titles. Read more
Our agents work with literary and commercial fiction, women's fiction, science fiction/fantasy, narrative non-fiction, history, memoirs, biographies, psychology, science, parenting, cookbooks, how-to, self-help, business, finance, young adult and juvenile fiction/non-fiction and picture books. Read more
The Darley Anderson Literary, TV and Film AgencyThe Darley Anderson Literary, TV and Film Agency was founded in 1988 by ex-publisher Darley Anderson and is based in London with a regional office in the book town of Hay-on-Wye on the English/Welsh borders. Member of Association of Authors' Agents. was founded in 1988 by ex-publisher Darley Anderson and is based in London with a regional office in the book town of Hay-on-Wye on the English/Welsh borders.
Commission : 20% for film/TV/radio. Has an association with APA Talent & Literary Agency in Hollywood. Read more
Fiction and non-fiction (home 15%, overseas 20%). Commercial fiction: thrillers, mysteries, children's, romance, women's, ethnic, science fiction, fantasy and general fiction; also literary fiction with a strong narrative. Non-fiction: current affairs, health, science, psychology, cookbooks, new age, spirituality, pop-culture, adventure, true crime, biography and memoir. Read more
‘Poetry is definitely having a renaissance. There's been a real sea-change in terms of how it's seen, especially in lockdown. Poetry is the perfectly transportable art form. Owning a book is all you need to experience it. Poetry doesn't necessarily give us the answers, but it does give us the tools to think with and helps us process issues.
"If you would be a poet," Lawrence Ferlinghetti, a man who would know, wrote in 2007, "create works capable of answering the challenge of apocalyptic times, even if it means sounding apocalyptic...."
A few years ago at a Radcliffe Institute exhibit, I came across photos of a draft of what would become Angela Davis' autobiography. A foundational Black literary text, bare-boned and vulnerable, is not something you often get to see. The manuscript bloomed with the strokes of a blue pen, notes from the editor on what needed to be changed. Read more
In early February, after a month of lockdown, William Sutcliffe wrote on Twitter: "I have been a professional writer for more than twenty years. I have made my living from the resource of my imagination. Last night I had a dream about unloading the dishwasher." Read more
Sales of print books continued to ride a hot streak into February with units jumping 25.7% in the first week of the month over the first week of February 2020 at outlets that report to NPD BookScan. The increase was the highest yet this year, and unit sales of print books were up 22.1% through February 6, 2021.
Even if-as per my last essay for Lit Hub-we know how to read, there remains the equally vexed question of what we should read. If the 21st century is notable for anything much at all when it comes to literature-and I use the term in its broadest sense, as will become clear-it's the spiking of formerly big literary guns, and the dismantling of what used to be understood as the canon. Read more
Book-to-screen deals are reported by the Hollywood trades in pieces that dutifully mention the novelists, directors and actors involved but often leave out the people who actually made it happen - the agent or manager who hooked up the players, the producer who optioned it years ago, the book scout whose secret source shared the proposal before book publishers had even seen it.
There is a new app. It distills books, both classics and modern bestsellers, into brief, accessible summaries. You can listen to audio versions of summaries, or read them on your phone. The app is called Instaread-or it's called Blinkist, or it's called GetAbstract or Joosr or 12Min or StoryShots or SumizeIt or CatchUp. Read more
When Sarah Pinborough's thriller Behind Her Eyes was published in 2017, even she described it as a "Marmite book". Her publisher slapped on equally dire warnings, hyping it with the hashtag #WTFthatending.
'Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.'
‘Poets will never be the highest-paid writers in the world. Instead, poetry will go on cutting a hand-made path through the mass-market insanity. For me, anyway, that path is the one that leads to the Chapel of the Grail.’