Our agents work with literary and commercial fiction, women's fiction, science fiction/fantasy, narrative non-fiction, history, memoirs, biographies, psychology, science, parenting, cookbooks, how-to, self-help, business, finance, young adult and juvenile fiction/non-fiction and picture books. Read more
Fiction, women's fiction, literary fiction, non-fiction, humour, history, autobiography, memoir, Mind, Body & Spirit, health, cookery, arts and crafts, crime, children's fiction (home 15%, overseas 20%). Also represents a small number of scriptwriters. Read more
LAW represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult.
Handles full-length commercial and literary fiction, non-fiction and children’s books. No fantasy (except children’s), no science-fiction, plays, poetry or textbooks. Film/TV scripts are handled for established clients only. Submission guidelines in .pdf on agents website.
All submissions should be sent, in hard copy, by post to: LAW, 14 Vernon Street, London, W14 0RJ.
PLEASE NOTE they do not accept submissions by fax, email (or email attachment) or disk.
represents a diverse client list of writers working in all genres of fiction (excluding adult sci-fi and fantasy) and every area of non-fiction, from politics to popular culture, from cookery to contemporary memoir, and from history to high fashion. We also represent children's writers in all categories from pre-school to young adult. Read more
All fiction, especially crime, women's commercial, general and literary fiction; all non-fiction, especially biography, history, health, cooking, arts and crafts.
No science fiction, horror, fantasy, short stories, poetry, academic books.
No reading fee. Send introductory letter describing work, first 3 chapters and sae.
Quality literary and commercial fiction and non-fiction, including: politics, history, military history, gardening, thrillers, crime, romance, drama, biography, travel, cookery, humour, UK and foreign estates.
Founded 1967. Full-length and short MSS. Agents in most foreign countries. The agency represents novelists and nonfiction writers as well as several major literary estates. Primarily an agency for English language writers, and currently represents over 200 authors including eight Pulitzer Prize winners and two Nobel Prize winners.
Quality literary and commercial fiction and non-fiction, including: politics, history, military history, gardening, thrillers, crime, romance, drama, biography, travel, cookery, humour, UK and foreign estates.
Also theatre, film, radio and TV scripts.
Overseas associates Georges Borchardt, Inc. (Richard Scott Simon). US film and TV representation CAA, APA and others.
Specialises in theatre, film, radio and TV scripts.
Welcomes approaches from new clients, either to start or to develop their careers. Preliminary letter with sae essential. No reading fee.
Clients include: Rose Tremain, Paul Wilson, and Bonnie Greer, Peter Ackroyd, Benedict Allen, Charles Allen, Pam Ayres, Melvyn Bragg, Steven Carroll, David Cohen, Anna del Conte, Judy Corbalis, Elizabeth Corley, Seamus Deane, Chris Ewan, Rosie Goodwin, Jean Goodhind, Robert Green, Susan Hill, Richard Holmes, HRH The Prince of Wales, Ian Johnstone, Irene Karafilly, Richard Mabey, Graham Rice, Steve Rider, Robert Rigby, Martin Riley, Diane Setterfield, Tom Sharpe, Martin Stephen, Jeffrey Tayler, Andrew Taylor, Rose Tremain, Barry Unsworth, Kevin Wells, Prof. Stanley Wells, Neil White, John Wilsher, Paul Wilson and the Estates of Catherine Cookson, Patrick O'Brian, Penelope Mortimer, Jean Rhys and F.A. Worsley.
). US film and TV representation CAA, APA and others. Read more
Special interest in serious non-fiction, mainstream commercial fiction, contemporary women's fiction, Latino American, Asian American, African American fiction and non-fiction.
Non-fiction: women's issues, biography, health/fitness, psychology, self-help, spiritual, natural science, cookbooks, pop culture. Read more
'I was trained by poetry where you can just write ambience and atmosphere. But in a novel, if there's not a story that people are interested in, with characters that they care about, they'll close the book.'
In the third in a series on the implications of AI for publishing, Nadim Sadek argues that effective advertising is now feasible for everyone, and for all kinds of titles
A publishing friend of mine recently told me about a sales report they'd received from a major retailer in which some of their books had zero sales. It turned out that there had been plenty of sales, however-they just all went to counterfeiters. In case you think this is an outlier, it's not. Counterfeiting is a serious, nontrivial problem facing the industry.
If you read the recently unsealed materials from the federal antitrust lawsuit against Amazon, you'll see why the company wanted to keep them under wraps. According to the unredacted notes from one meeting, Jeff Bezos directed his team to stuff more ads into search results, even if it meant accepting more ads internally categorized as irrelevant to what users were looking for. Read more
The U.K. Publishers Association (PA) was established in 1896 and is a cornerstone of the British publishing industry, working with a diverse array of companies to promote innovation, collaboration, and commercial success. Read more
With English as a shared language, there is a natural relationship between the American and British publishing industries. Most of the world's top publishing companies, be they conglomerates or independent publishers, have operations in each country, typically in New York City and London. Literary traffic travels both ways across the Atlantic.
The UK is experiencing a boom in book clubs, according to new data from event listing companies.
Book club listings on the ticketing site Eventbrite increased by 350% between 2019 and 2023 - a "much stronger" growth than the overall increase in UK-based listings over the same period. Between 2022 and 2023 alone, book club listings on the site rose by 41%. Read more
"We don't understand the consequences of AI with regards to copyright," Brazil's Karine Gonçalves Pansa, president of the International Publishers Association (IPA), said, when asked to name the most important issues facing publishing right now. "We can say, very easily, that our content is being used, without permission, and without license, by AI."
'To present a whole world that doesn't exist and make it seem real, we have to more or less pretend we're polymaths. That's just the act of all good writing.'