UK-based organisation which has campaigned since 1993 to improve literacy standards across all age groups. Excellent research information and details of the many initiatives the charity is currently involved in. www.literacytrust.org.uk. Read more
UK bibliographic organisation, describing itself as 'the definitive retail monitoring service for books', which shows UK bestseller lists on its website. http://www.nielsenbookscan.co.uk/
Through its Literature Department, the Arts Council of England provides writers awards for authors who have had at least one book published and support for translation schemes, publishing and education. http://www.artscouncil.org.uk/ Read more
Under the United Kingdom's PLR Scheme authors receive payments from government funds for the free borrowing of their books from public libraries in the United Kingdom. To qualify for payment, authors must apply to register their books. Find out how to register and the statistical data generated by it on trends in public borrowing. Read more
A professional association supporting creative writing of all genres and in all educational settings throughout the UK. They support writers in education, in universities and in the community, and have useful resources, training and job opportunities plus the Artscape directory. www.nawe.co.uk
Old-established British organisation which is using substantial new funds from writers' estates for excellent new scheme offering grants to published writers, who act as 'fellows' helping to improve students' writing in higher education institutions. The fellows each have a page and contact details on the website. www.rlf.org.uk
Government body for funding the arts in Scotland. Their well-organized site offers a mass of information about the arts in Scotland, including writers’ bursaries, fellowships and translation fellowships. There are also lists of literary awards and literary magazines. Their site at www.scottisharts.org.uk is well worth visiting.
UK organisation which represents staff and freelance editors and proofreaders through focusing on maintaining high professional standards and running well-regarded training courses. http://www.sfep.org.uk
The man in the video says there's a simple reason why I'm not rich. "Most people have a scarcity mindset," he explains through a thick Australian accent, addressing the camera like a wise mentor lecturing a student. "Top-tier people-actual movers and shakers that are doing things-have an abundance mindset." Behind him, an ancient sword hangs on the wall. For some reason, he's in a bathrobe.
Unlike English native-speakers, I didn't really encounter gothic novels in the first twenty-or-so years of my life. I grew up in the French-speaking part Switzerland, and my modern and medieval literature studies focused on French authors and their preoccupations. Therefore hearing the concept of ‘gothic' as a formative genre for the English psyche didn't really mean much to me... Read more
'As someone who's on their sixth novel and has had their ups and downs, I'm aware of how privileged and lucky I have been, and what a shock it can be for debut writers - all the reality of that world, and that new voice and when the book doesn't quite take off, it's a shock.
Publisher Spines will charge authors between $1,200 and $5,000 to have their books proofread, designed and distributed with the help of artificial intelligence
The 11th edition of the China Shanghai International Children's Book Fair ended its three-day run on November 17. Post-event statistics from co-organizer BolognaFiere showed that 41,262 attended the fair, including 17,081 professional visitors. A total of 353 professional events, book launches, and reading promotion activities were held. Read more
In These Strange New Minds: How AI Learned to Talk and What It Means (Viking, Mar.), neuroscientist Christopher Summerfield explores how large language models work.
The poet Ted Kooser turned 85 this year, and the Pulitzer Prize winner and former poet laureate of the United States is as productive as ever, with Copper Canyon Press putting out his latest volume, Raft, earlier this fall.
'You have to follow your own voice. You have to be yourself when you write. In effect, you have to announce, "This is me, this is what I stand for, this is what you get when you read me. I'm doing the best I can - buy me or not - but this is who I am as a writer."'