It was another era. Not easier, but maybe not quite so crazy hectic as today. The stakes were still high, and in their day - the early 1980s-getting your first book published was still hard work. In many ways, harder.
'Reading thrillers is like solving a puzzle. I enjoy the challenge of trying to peer beyond the author's smoke and mirrors and identify what's really going on' Read more
Whenever I teach on nonfiction book proposals, I open up the conversation by talking about market potential ($) and how to convince agents or editors that your project has it.
I'd been querying agents for nearly two years when I got a promising email. After some kind rejections and a couple of "I really like this but-" close calls that break your heart, this agent's enthusiasm made my pulse race. "Imagine my surprise and delight when I saw your name," she wrote, describing herself as a fan of my newsletter. Read more
Writers are the lifeblood of the publishing industry. I would expect agents and publishers, who work with them every day-and whose livelihood depends on them-to understand and respect writers. Most agents and publishers would claim that they do. But an industry practice that began some time ago, and has increased dramatically in recent years, belies that. Read more
So, you've finished your manuscript and are eager to share your work with literary agents. One question I'm always asked by students is: How do you write the perfect pitch letter to a literary agent? Here are my top 15 tips on how to make your submission pitch letter stand out from the pack:
Pitching a manuscript isn't for cowards, the thin skinned, or those with no endurance. Believing your project is worthy, truly believing in it, is required, as is the patience of a saint.
‘One person writing in a quiet room, trying to connect with another person, reading in another quiet-or maybe not so quiet-room. Stories can entertain, sometimes teach or argue a point. But for me the essential thing is that they communicate feelings. That they appeal to what we share as human beings across our borders and divides.
A report has found that more than half of children's books published in the last decade with a minoritised ethnic main character were by white authors and illustrators.
The book industry has launched an open letter calling on the government to create a plan to boost reading for pleasure for children across the UK. The letter invited the Prime Minister "to make a cross-government commitment to prioritise the role of reading for pleasure for children", investing in the development of children and the future of the country.
Author Katherine Rundell and Claire Wilson, president of the Association of Authors' AgentsThe association of UK agents. Their website (http://www.agentsassoc.co.uk/index.html) gives a Directory of Members and a code of practice, but no information about the agencies other than their names. The association refers visitors to the UK agent listings from The Writers' & Artists' Yearbook on the WritersServices site. (AAA), have signed the open letter launched by the book industry, calling on the Prime Minister to address the decline in reading for pleasure among children.
'The writer who possesses the creative gift owns something of which he is not always master - something that at times strangely wills and works for itself.'