Figures from across the trade speak about the romance sector from a representation point of view, and while women lead the sector, authors and readers of colour say more can be done.
I grew up devouring young adult romance, loving writers like Meg Cabot and Sarah Dessen, but lost touch with romance novels as teachers encouraged me to read things they deemed more appropriate and "more challenging." (A sentiment echoed by other adults in my life.) By my early 20s, I'd fully bought into the idea that only "literary" works merited attention - a gatekeeper phrase that's difficul Read more
In 1972, Avon Books published "The Flame and the Flower," by Kathleen Woodiwiss - a hefty historical romance that traded chastity for steamy sex scenes. It arrived in the thick of the sexual revolution, and readers loved it: It was an instant bestseller that's credited with birthing the modern romance genre. Read more
In 2016, we had been open for one intense and educational year as the only romance-focused bookstore in the country. After one year of building a community of romance-loving customers, it became abundantly clear to us that readers were looking for more racial diversity in their romance novels. Read more
In my latest romance novel, How to Catch a Queen, my heroine finally achieves her lifelong dream of becoming a queen following an arranged marriage-only to find herself in a country where the voices of women aren't respected, and queens are powerless. Read more
In 2020, it's easy to feel like we're living in a dystopian tale, and many of us are in survival mode. We naturally look to food, water, safety, clean air, masks, jobs, and healthcare for sustenance. But we also look to stories to keep us going. We at Shondaland understand the power of storytelling because that's what we do. We also know the power of a good book. Read more
If it hadn't been for the pandemic and the near impossibility of visiting Vivian Stephens in person, I'm not sure I would have been so attuned to her voice. It is gay and mellifluous; she always sounded delighted to hear from me, a reaction most reporters are not accustomed to. Read more
For years, RWA's members of color had felt stigma and hostility like that experienced by Huguley and Malone; they'd felt unwanted, disrespected, or simply shut out. So had the queer members, and the poly members, and everyone else who didn't quite fit into the traditional romance mold. Read more
Romance Writers of America is attempting to turn the page on a damaging racism row, abolishing its top literary prizes and replacing them with awards in a new format it hopes will show "happily ever afters are for everyone" and not just white protagonists. Read more
I love romance. I loved it long before I ever fell in love, and romance narratives served as a kind of template for my own early love-affairs. I filled out diaries with imagined meet-cutes between my crushes and me, assigning them lines I had read some other, more sophisticated love interest say. Read more
'We've only been publishing for three years, having started just before the pandemic did... The digital vision we had formulated was vindicated and validated by the pandemic - but that doesn't mean it's not still relevant. As we grow, we're doing a bit more print, but we'll continue to adapt and survive.
In 2017, we learned that Eleanor Oliphant was completely fine. As you may recall, there was a bestselling novel all about it, titled, appropriately enough, Eleanor Oliphant Is Completely Fine. Soon, a wave of syntactically similar book titles followed, all involving simple sentences containing the female protagonist's name: Evvie Drake started over. Florence Adler swam forever. Read more
Kate Clanchy's memoir about teaching won the Orwell prize. Then, a year later, it became the centre of a storm that would engulf the lives of the author, her critics and dozens of people in the book trade. So what happened?
Writers buy plotting books by the dozen and do their best to create the plottiest plot that the world has ever seen. They stuff their novels with action-packed sword fights, explosions, fist fights, and screaming matches. Plot points, pinch points, and grandiose climaxes abound. Read more
In my 15 years of teaching English to hundreds of children in various parts of England, there are four books that have been on the curriculum in every school I have found myself in, with no exception: Of Mice and Men by John Steinbeck, Animal Farm by George Orwell, An Inspector Calls by JB Priestley and Private Peaceful by Michael Morpurgo. Read more
The Booker prize-winning author Bernardine Evaristo says she fears that publishers' interest in black authors may be only a "trend or fashion" that could wane unless the business becomes more diverse. Read more
Waterstones Children's Laureate Cressida Cowell has revealed the "transformative" impact on the pilot primary schools taking part in her "Life-changing Libraries" initiative, including an increase in a love of reading, motivation towards learning, well-being and feelings of self-worth. Read more
Every writer has had it drilled into them at some point. It's one of the most familiar bits of writing advice there is: "Write what you know." And it makes so much sense-it worked for John Grisham and Kathy Reichs, right?
Another May has come and gone without BookExpo or any other in-person, industrywide spring show taking its place. As the pandemic eases, more and more publishing and publishing-related conferences, meetings, and fairs are moving from online-only events to either in-person or hybrid affairs. Read more
Meanwhile, I was working on my column for Publishers WeeklyInternational news website of book publishing and bookselling including business news, reviews, bestseller lists, commentaries http://www.publishersweekly.com/. The theme: influencing readers-beyond BookTok. I certainly didn't expect to find a point of intersection with these two shows. Did I? Bear with me.
'The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.'