Novels

We like to pretend that art is art. That an author writes what they are inspired to write, with no concern but the voice of the muse. This is a useful fiction. It is good for writers to focus on the art when writing and worry about the business side later. But it is a fiction. Writers are aware of market demands, what kinds of novels get buzz, and what subjects award judges gravitate towards.  Read more

Someone on Facebook recently posted to ask me about how to restructure an entire book if it needs a bit of an overhaul. This is something I work with authors on at Avon, and it's also something I had to do for my own book, so I do have a few tips on the best way to approach this.  Read more

Authors have hit back at writer Will Self's assertion that the novel is "doomed to become a marginal cultural form".

Self's interview in the Guardian, published on Saturday (17th March), featured insights into his thoughts on the Iraq war, e-readers, the future of fiction and female writers.  Read more

Stop us if you've experienced this before: the clock strikes 8pm and you realize that you really need to pick up your drycleaning. But you're right in the middle of your book! Well, you'll put the book down when you get to the end of this chapter, you reason.  Read more

I do not think it is a coincidence that the novel as a form reaches maturity at the same point as the bourgeoisie as a class are ascendant. Although the novel has its forerunners and predecessors - Boccaccio, Rabelais, Cervantes, de la Fayette - it gets into its stride with affluent, middle-class white men: Richardson, Fielding, Sterne, Smollett.