In the eighth decade of my life and after having three books traditionally published-a travel memoir 50 years ago and two novels more recently-I am pondering the wisdom of writing a very personal memoir.
Simon Pearson looks back over the three years that he and his wife, Fiona Gorman, spent researching and writing the biography of the eminent heart surgeon Professor Sir Magdi Yacoub, which was published this week
Having grown up with the old Foyles as my playground I have always loved books, and having spent much of my childhood in a boarding school where the weekly routine included the obligatory letter home, and my young adult life working overseas in the days before international telephone services were affordable, writing has always been part of my life.
At first glimpse, memoir and historical fiction may seem worlds apart. But many of the decisions historical novelists have to make to create a compelling narrative overlap with memoir more than you'd think-especially for writers of biographical historical fiction.
Literary agent Rachel Mills has called for mental health provision for authors of memoir, as well as mental health training for the publishers and agents who work with them. In a column for The Bookseller published today (Monday, 6th February), she argued that more should be done to support memoirists, who often delve into the darkest moments of their life by necessity. Read more
When I mentioned to friends and colleagues that I was thinking of writing a memoir focused on my mother, they looked quizzical. Why would I bother switching genres after so many years writing successful fiction?
Most of us write the first draft of our memoir chronologically, setting down what happened in order, or thematically, thinking of what happened and expanding from that time, place, or feeling. Both are terrific ways to generate a first draft. Read more
When I dipped my bicycle tires into the Atlantic Ocean in Yorktown, Virginia, in early November 2000, my yelp for joy was followed by a lengthy sigh.
At last, I had finished my absolutely-must-do, solo, cross-country trek of 4,250 miles. Completion liberated me to focus solely on conservation and energy articles for newspapers, magazines and online publications. Or, so I thought. Read more
It might seem that writers live pretty safe lives. Yes, there are some, mostly journalists, who immerse themselves in troubled and war-torn countries, and they can and do get hurt. But most of us who write sit at keyboards or notepads every day and create stuff - poems, plays, stories, essays-mostly from our heads.
‘I always quote Kurt Vonnegut. He said in the early part of his career he was dismissed as a science fiction writer and that critics tend to put genre books, including sci-fi, in the bottom drawer of their desk... It's true. I get the New York Times every Sunday. In 37 novels, I've never had a stand-alone review. I'm always in the crime round-up.
A survey of 787 members of the Society of Authors (SoA) has found that a third of translators and a quarter of illustrators have lost work to generative Artificial Intelligence (AI) systems. Translators are also more likely to use AI to support their work, with 37% of respondents saying they have done so, followed by 25% of non-fiction writers.
The author Lynne Reid Banks, known for her novel The L-Shaped Room and her children's book series The Indian in the Cupboard, has died at the age of 94.
I launched my podcast Making It Up nearly three years ago with the goal of interviewing writers not for any particular work of theirs, but to talk to them about their lives. I didn't want to ask them what famous author they want to have dinner with or what their top five favorite books are ... yech. Read more
Until we have a mechanism to test for artificial intelligence, writers need a tool to maintain trust in their work. So I decided to be completely open with my readers
'I am taxed with being a plagiarist, when I am least conscious of being one; but I am not very scrupulous, I own, when I have a good idea, how I came into possession of it.'