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'The most helpful quality a writer can cultivate is self-confidence - arrogance, if you can manage it. You write to impose yourself on the world, and you have to believe in your own ability when the world shows no sign of agreeing with you.'

— Hilary Mantel

2022 Times/Chicken House writing competition

Information

Closing date: 
1 June 2022
Entry: 
fee Open to unpublished, unagented children’s writers based anywhere in the world. Entry fee £20
Prize: 
First Prize a publishing contract with Chicken House with an advance of £10,000, plus the offer of representation from literary agent Louise Lamont at LBA Books, Second Prize a £7,500 publishing contract plus an offer of representation

Now the biggest children's writing competition in the UK, the Times/Chicken House Children's Fiction Competition has been running for 12 years and has kickstarted the careers of many of the most established writers for both children and adults in the UK - including Jasbinder Bilan (Costa-winning author of Asha & the Spirit Bird), SJ Bennett (The Windsor Knot) and Nicki Thornton (The Last Ch  Read more

‘I never planned to be a writer at all'

16 May 2022

‘I never planned to be a writer at all. For years, maybe even today, sometimes I think, "What exactly am I going to do with my life What is my career going to be? I'm only 80, for God's sake!...  Read more

Howard Literary Agency

Contacts
Mihoricho 1-16-10
Akishima
Tokyo,
Japan
tel: 
+81 042 516 9952
fax: 
+81 042 516 9952
email: 
howard@howardliterary.com
Howard Literary Agency website
Linked In: 
Howard Literary Agency Linked In
Personnel: 

Director

  • Peter Howard

We specialize in writers based in Japan who are seeking publication overseas, but we are happy to receive submissions from any authors writing in English. We represent fiction and nonfiction for both adults and children, though we have a particular interest in books related to Japan and Asia in general.

Submission guidelines
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2 May 2022 - What's new

May 2022
  • 'In our world authors may grumble at poor advances, royalties and meagre sales, but at least - in the main - the money flows, as it should, towards the author and availability in shops is a given. In the alternative reality of hybrid, subsidised or contributory publishing, it is authors who provide the investment in return for giving up their rights. The rewards can be dubious...
  Read more