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'Time spent in reconnaissance is seldom wasted'

The June extract from From Pitch to Publication by Carole Blake

 

Carole Blake

About Carole Blake

 

Read this now!  It will only stay on the site for one month and will then be replaced by another extract. 

 

'My strongest recommendation by far, when deciding to be represented by an agent, is to take time to find the right one.' 

 

'It is far better to spend more time at the beginning making sure, as much as you can, that you and your potential agent are well suited to each other.'

 

 

 

'Does the agent expect to be involved in the planning process for your next book? Will they advise you on marketable areas before you start writing?'

 

 

 

 

' Does the agency use its own contract with most publishers? If not, does it have a specially negotiated agency boilerplate contract with the big publishers?'

 

 

To purchase From Pitch to Publication

 

 

'Does the agent intend to offer single territory rights to publishers in each market, or offer world rights in all languages to the first market they sell?'

 

'Time spent in reconnaissance is seldom wasted'

It is as true when looking for a literary agent as it is in the spy world that coined the phrase! My strongest recommendation by far, when deciding to be represented by an agent, is to take time to find the right one. The commitment that a client and agent make to each other should be long term and should result in a close relationship that is more than just a business relationship. It can be painful to sever ties between client and agent, and writers can find it immensely upsetting to have to change their representation. It is far better to spend more time at the beginning making sure, as much as you can, that you and your potential agent are well suited to each other.

When you do talk to or meet with an agent, ask them to describe their work methods, how they deal with the various subsidiary rights areas and how much of the publishing process they are involved in. Questions might include:

General

How many agents work for the agency and where does your agent stand in the hierarchy?
What writers do they handle?
Are they members of the Association of Authors' Agents? If not, why not?

UK deals

If the agent takes you on, will your negotiations in the UK market be handled personally or will they be handed to another staff member? If so, whom? Can you meet that person now?
Will your manuscript be sent out on single submission, multiple submission, or will it be auctioned? What is the reason behind their answer?
How long are they prepared to go on submitting projects before giving up?
Do they handle, and solicit commissions for, short stories? (And journalism too, if that's another writing area that interests you.)

Editorial input

Does the agent expect to be involved in the planning process for your next book? Will they advise you on marketable areas before you start writing?
Will they read and comment on synopses?
Will they read, comment on and edit early chapters and whole manuscripts?
Once you are contracted to a publisher, will the agent still read your material or rely on the publisher's editor for a report?

The publishing contract

Does the agency use its own contract with most publishers? If not, does it have a specially negotiated agency boilerplate contract with the big publishers?
What is the agency's stance on royalties on high discount sales?
Do all the agency contracts contain non-assignment clauses?

Marketing, sales and publicity

Will the agent make sure that you see the cover design in time to pass comment on it?
Will they become involved in the publisher's marketing planning? Will they ask for a promotion plan?
Will they also monitor it and make sure that everything promised is actually carried out?
Will they talk to your publicist and monitor progress on the publicity front?
Will they get you regular updates on sales figures in the first few months after publication?

American and translation rights

Does the agent intend to offer single territory rights to publishers in each market, or offer world rights in all languages to the first market they sell?
Do they get personally involved in selling these rights or does someone else handle that? Who? Do they think they can place your work in other markets?
Does the agency have co-operating agents around the world? Ask for a list of the agents and the territories that they cover.
What arrangements do they have for handling American rights?
Do they attend the Frankfurt Book Fair and other trade fairs? If not, who covers them for the agency?

Film and television rights

Does the agency have a film and television department? Will this department know about your book before it is published?
Have they been successful in selling film or television rights to books in your area? What are they?

                                                      Copyright © 1999 Carole Blake

 

 
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