At this week's conference of the Independent Publishers' Guild, Jo Forshaw talked about the way in which the audio market is opening up, beginning to provide a challenge to ebooks. Read more
A generally buoyant picture has emerged from the London Book Fair, which showed an international publishing business in relatively good shape and double-digit growth in the all-important number of pre-registered visitors to the Fair. The mood of optimism was stoked by the low pound and several new developments. Read more
The successful growth of new British publisher Head of Zeus shows how an international approach to publishing can put a business in a strong position through challenging the traditional approach to publishing markets. Read more
Some nervousness has been expressed by authors and staff in the last few days about the impending purchase by Bertelsmann of part of the Pearson share of Penguin Random House, but is there really much reason to feel anxious about this? Read more
The first major publishing news of the New Year has been the announcement that Pearson, having declared a profit warning because of change and volatility in the educational market and declining sales in higher education, is intending to offload its 47% stake in Penguin Random House - and its partner Bertelsmann is keen to acquire it. Read more
The changes digitisation has brought about in the agent's role are substantial but one of the unchanging things about getting an agent is that developments in the publishing world have made remarkably little difference to it - it's as difficult as ever, some would say more so. Read more
So, another London Book Fair has come and gone. Our links this week include some interesting stories about the Fair but the main thing seems to be that this was a lively and confident affair, with publishers from all over the world bullish and ready to do business. Read more
Independent London publishing house Atlantic has recently had a new managing director, Will Atkinson. He put forward the company's publishing philosophy very clearly in an article for Bookbrunch, which sadly is behind their paywall. It is possible however to quote what he says in his article, ‘Publishing culture and commerce': Read more
‘I was very aware that because the manuscript has my name on it, people would just publish it, however bad it was, and I wanted honest feedback. I wanted to know that someone believed in the book and I truly enjoyed getting unvarnished feedback through my agent. There was one editor who did not like Strike having a famous father and made that point.
'My theatre background has probably helped me be a braver writer and maybe more rigorous, too: the theatre can sustain bold and abstract ideas, but not slow or sloppy storytelling'
Theatre producer Ellie Keel's debut novel, dark academia thriller The Four was published on 11 April by HQ.
In April of this year, Timothy Garton Ash collected his reward money for winning the prestigious 2024 Lionel Gelber Prize.
Today, in Kyiv, the Oxford University professor presented what he bought with it - a new set of reconnaissance drones for immediate use in the war against Russia.
Acclaimed for her accounts of the darkness and desire found in everyday life, ‘the Canadian Chekhov' has died, having suffered from dementia for more than a decade
Shimmr AI, an artificial intelligence start-up that aims to help publishers promote more of their list, has recruited a host of high-profile advisers from across the books industry, signalling the firm's plans to "deploy globally".
As Little, Brown's SFF imprint Orbit celebrates its 50th anniversary, publisher Anna Jackson reflects on its current record-breaking run and on building the brands of the future.
'You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.'